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題名 愛倫坡與柯南道爾偵探小說的布爾橋亞室內空間
The Bourgeois Interior in Edgar Allen Poe’s and Conan Doyle’s Detective Stories作者 郭詩裴 貢獻者 陳音頤
Chen, Yin I
郭詩裴關鍵詞 偵探文類
班雅明
布爾橋亞室內空間
坡
道爾
detective genre
Benjamin
the bourgeois interior
Poe
Doyle日期 2011 上傳時間 30-Oct-2012 11:16:15 (UTC+8) 摘要 班雅明在拱廊計畫中專章探討布爾喬亞室內空間概念的思想理論啟發了本論文。在資本主義盛行工業革命興起的十九世紀,室內空間成為中產階級儲存財產、保障私人安全舒適、以及抵禦外在威脅的所在,然而班雅明不僅僅質疑這種布爾喬亞室內空間的穩固,他更直接點出中產階級表面上寄託於室內空間,潛意識卻也不信任其牢靠。而我將延續班雅明的論點解讀十九世紀偵探文類中屢屢發生的室內犯罪,這樣的劇情設計事實上就是投射了偵探文類中產階級讀者對於室內空間潛在的焦慮。本論文以班雅明為基礎,使用艾徳加.愛倫坡和柯南道爾的偵探短篇小說,探討這些作品如何呈現布爾喬亞室內空間,作者如何回應室內空間的議題,以及偵探在布爾喬亞室內空間中扮演什麼樣的角色,同時從十九世紀初的艾倫波到十九世紀末的柯南道爾,我也欲探討布爾喬亞室內空間從都市化初期到都市化末期中產階級移往郊區定居的過程中所發生的轉變。本文認為,愛倫坡和柯南道爾的偵探故事中藉由顯示室內空間的危險與不穩定挑戰了傳統的布爾橋亞室內空間觀。
Walter Benjamin’s conceptualization of the bourgeois interior inspired this dissertation. As the nineteenth century witnessed capitalism and Industrial Revolution, the domestic interior served the bourgeoisie to store property, ensure comfort and security, and withstand the outdoor dangers. However, Benjamin not only questions the impregnability of this bourgeois interior but also directly points out the bourgeoisie’s unconscious anxiety over the interior despite their conscious confidence in it. Using Benjamin’s theory as my critical framework, I analyze the frequent occurrences of domestic crimes in the nineteenth-century detective genre. This formula, I argue, projects its middle-class readers’ anxiety over the domestic space as the domestic space is repeatedly invaded and disturbed by crimes. Based on Benjamin’s theory, I use Edgar Allen Poe and Conan Doyle’s detective stories to explore how these works depict the bourgeois interior, how their authors address the issues about the bourgeois interior, and what role the detective plays, a protector or a transgressor, when involved into the invasions of the bourgeois interior. From Poe at the beginning of the nineteenth century to Doyle at the end, I also examine the changes of the bourgeois interior during the process of the middle class’ migration from the city center to suburbs. I argue that both Poe’s and Doyle’s detective stories challenges the ideology of bourgeois spatiality by showing the interior is unsafe and unstable against the bourgeoisie’s imagination.參考文獻 Belsey, Catherine. Critical Practice. London: Routledge, 2007. Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin Cambridge: Belknap P, 1999. ---. Charles Baudelaire: a Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1992. ---. The Correspondence of Walter Benjamin, 1910-1940. Ed. Gershom Scholem and Theodor W. Adorno. Trans. Manfred R. Jacobson and Evelyn M. Jacobson. Chicago: U of Chicago, 1994. ---. Moscow Diary. Ed. Gary Smith. Trans. Richard Sieburth. Cambridge, Mass: Harvard UP, 1986. ---. One-Way Street and Other Writings. Trans. Edmund Jephcott. London: Verso, 1992. ---. “Experience and Poverty.” Selected Writings. Trans. Gesammelte Schriften Ed. Marcus Bullock and Michael J. Jennings. Brand, Dana. “From the Flâneur to the Detective: Interpreting the City of Poe.” Popular Fiction: Technology, Ideology, Production, Reading. Ed. Tony Bennett. London: Routledge, 1990. Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and The Arcades Project. Cambridge, Mass: MIT P, 1991. Butler, Josephine E. Government by the Police. London: Dyer Brothers, 1879. Carringer, Robert L. “Poe’s Tales: The Circumscription of Space.” Modern Critical Interpretations: The Tales of Poe. New York: Chelsea, 1987. Cawelti, John. G. A dventure, Mystery and Romance: Formula Stories as Art and Popular Culture. Chicago: U of Chicago P, 1976. Caygill, Howard. Walter Benjamin: the Color of Experience. London: Routledge, 1998. Clausen, Christopher. “Sherlock Holmes, Order, and the Late-Victorian Mind.” The Georgia Review 38.1 (1984): 104-123. Olsen, Donald J. “Victorian London: Specialization, Segregation, and Privacy.” Victorian Studies 17.3 (1974): 265-278. Doyle, Conan. Sherlock Holmes: The Complete Novels and Stories. London: Bantam, 1986. Fillingham, Lydia Alix. “’The Colorless Skein of Life’: Threats to the Private Sphere in Conan Doyle’s A Study in Scarlet.” ELH 56.3 (2010): 667-688. Frisby, David. Fragments of Modernity: Theories of Modernity in the Work of Simmel, Kracauer and Benjamin. Cambridge: Polity P, 1985. ---. Simmel and Since: Essays on Georg Simmel’s Social Theory. New York: Routledge, 1992. Gay, Peter. The Bourgeois Experience: Victoria to Freud. New York: Oxford UP, 1984. Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity P, 1997. ---. Walter Benjamin: Critical Constellations. Cambridge: Polity P, 2002. Joyce, Simon. Capital Offenses: Geographies of Class and Crime in Victorian London. Charlottesville: U of Virginia P, 2003. Lacan, Jacques. “Seminar on ‘The Purloined Letter’.” The Poetics of Murder: Detective Fiction and Literary Theory. Ed. Glenn W. Most and William W. Stowe. New York: Hartcourt, 1983. 23-54. Marcus, Sharon. “The Haunted London House, 1840-1880.” Apartment Stories: City and Home in Nineteenth-century Paris and London. London: U of California P, 1999. 83-132. Miller, D.A. The Novel and the Police. Berkeley: U of California P, 1988. Moretti, Franco. Atlas of the European Novel: 1800-1900. London: Verso, 1999. ---. Signs Taken for Wonders: Essays in the Sociology of Literary Forms. London: Verso, 1983. Palmer, Jerry. Thrillers: Genesis and Structure of a Popular Genre. London: Routledge, 1978. Poe, Edgar Allan. The Selected Writings of Edgar Allan Poe. Ed. G.R. Thompson. New York: Norton, 2004. Porter, Dennis. The Pursuit of Crime: Art and Ideology in Detective Fiction. New Haven: Yale UP, 1981. Pound, Reginald. Mirror of the Century: The Strand Magazine, 1891-1950. New York: A.S. Barnes, 1966. Pyrhonen, Heta. Murder from an Academic Angle: An Introduction to the Study of the Detective Narrative. Columbia: Camden House, 1994. Salzani, Carlo. “The City as Crime Scene: Walter Benjamin and the Traces of the Detective.” New German Critique 34.1 (2007):165-187. Simmel, Georg. “The Metropolis and Mental Life.” Simmel on Culture: Selected Writings. Ed. David Patrick Frisby and Mike Featherstone. London: Sage, 1997. Trodd, Anthea. Domestic Crime in the Victorian Novel. London: Macmillan P, 1989. Watt, Ian. The Rise of the Novel. Berkeley: U of California P, 1974. 描述 碩士
國立政治大學
英國語文學研究所
97551004
100資料來源 http://thesis.lib.nccu.edu.tw/record/#G0975510041 資料類型 thesis dc.contributor.advisor 陳音頤 zh_TW dc.contributor.advisor Chen, Yin I en_US dc.contributor.author (Authors) 郭詩裴 zh_TW dc.creator (作者) 郭詩裴 zh_TW dc.date (日期) 2011 en_US dc.date.accessioned 30-Oct-2012 11:16:15 (UTC+8) - dc.date.available 30-Oct-2012 11:16:15 (UTC+8) - dc.date.issued (上傳時間) 30-Oct-2012 11:16:15 (UTC+8) - dc.identifier (Other Identifiers) G0975510041 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/54509 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學研究所 zh_TW dc.description (描述) 97551004 zh_TW dc.description (描述) 100 zh_TW dc.description.abstract (摘要) 班雅明在拱廊計畫中專章探討布爾喬亞室內空間概念的思想理論啟發了本論文。在資本主義盛行工業革命興起的十九世紀,室內空間成為中產階級儲存財產、保障私人安全舒適、以及抵禦外在威脅的所在,然而班雅明不僅僅質疑這種布爾喬亞室內空間的穩固,他更直接點出中產階級表面上寄託於室內空間,潛意識卻也不信任其牢靠。而我將延續班雅明的論點解讀十九世紀偵探文類中屢屢發生的室內犯罪,這樣的劇情設計事實上就是投射了偵探文類中產階級讀者對於室內空間潛在的焦慮。本論文以班雅明為基礎,使用艾徳加.愛倫坡和柯南道爾的偵探短篇小說,探討這些作品如何呈現布爾喬亞室內空間,作者如何回應室內空間的議題,以及偵探在布爾喬亞室內空間中扮演什麼樣的角色,同時從十九世紀初的艾倫波到十九世紀末的柯南道爾,我也欲探討布爾喬亞室內空間從都市化初期到都市化末期中產階級移往郊區定居的過程中所發生的轉變。本文認為,愛倫坡和柯南道爾的偵探故事中藉由顯示室內空間的危險與不穩定挑戰了傳統的布爾橋亞室內空間觀。 zh_TW dc.description.abstract (摘要) Walter Benjamin’s conceptualization of the bourgeois interior inspired this dissertation. As the nineteenth century witnessed capitalism and Industrial Revolution, the domestic interior served the bourgeoisie to store property, ensure comfort and security, and withstand the outdoor dangers. However, Benjamin not only questions the impregnability of this bourgeois interior but also directly points out the bourgeoisie’s unconscious anxiety over the interior despite their conscious confidence in it. Using Benjamin’s theory as my critical framework, I analyze the frequent occurrences of domestic crimes in the nineteenth-century detective genre. This formula, I argue, projects its middle-class readers’ anxiety over the domestic space as the domestic space is repeatedly invaded and disturbed by crimes. Based on Benjamin’s theory, I use Edgar Allen Poe and Conan Doyle’s detective stories to explore how these works depict the bourgeois interior, how their authors address the issues about the bourgeois interior, and what role the detective plays, a protector or a transgressor, when involved into the invasions of the bourgeois interior. From Poe at the beginning of the nineteenth century to Doyle at the end, I also examine the changes of the bourgeois interior during the process of the middle class’ migration from the city center to suburbs. I argue that both Poe’s and Doyle’s detective stories challenges the ideology of bourgeois spatiality by showing the interior is unsafe and unstable against the bourgeoisie’s imagination. en_US dc.description.tableofcontents Acknowledgements..............................................................................................iv Chinese Abstract..................................................................................................vi English Abstract...................................................................................................vii Chapter 1. Introduction.............................................................................................1 The Detective Genre Reoriented............................................................1 Literature Review...................................................................................4 Methodology..........................................................................................7 Chapter Organization............................................................................13 2. Benjamin’s Theories on Interior Spatiality...............................................17 Benjamin’s Childhood and the Bourgeois Interior...............................19 Spatiality in Traveling Essays...............................................................21 From Trauerspiel to One Way Street.....................................................25 “The Paris of the Second Empire in Baudelaire” and The Arcades Project………………………………………………………………………………26 The Bourgeois Interior and the Detective Genre...................................34 3. The Interior in Edgar Allen Poe’s Detective Stories..................................41 4. The Bourgeois Interior of Suburbs in Conan Doyle’s Detective Stories...57 5.Conclusion………………………………………………………………..73 Works Cited............................................................................................................77 zh_TW dc.language.iso en_US - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0975510041 en_US dc.subject (關鍵詞) 偵探文類 zh_TW dc.subject (關鍵詞) 班雅明 zh_TW dc.subject (關鍵詞) 布爾橋亞室內空間 zh_TW dc.subject (關鍵詞) 坡 zh_TW dc.subject (關鍵詞) 道爾 zh_TW dc.subject (關鍵詞) detective genre en_US dc.subject (關鍵詞) Benjamin en_US dc.subject (關鍵詞) the bourgeois interior en_US dc.subject (關鍵詞) Poe en_US dc.subject (關鍵詞) Doyle en_US dc.title (題名) 愛倫坡與柯南道爾偵探小說的布爾橋亞室內空間 zh_TW dc.title (題名) The Bourgeois Interior in Edgar Allen Poe’s and Conan Doyle’s Detective Stories en_US dc.type (資料類型) thesis en dc.relation.reference (參考文獻) Belsey, Catherine. Critical Practice. London: Routledge, 2007. Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin Cambridge: Belknap P, 1999. ---. Charles Baudelaire: a Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: Verso, 1992. ---. The Correspondence of Walter Benjamin, 1910-1940. Ed. Gershom Scholem and Theodor W. Adorno. Trans. Manfred R. Jacobson and Evelyn M. Jacobson. Chicago: U of Chicago, 1994. ---. Moscow Diary. Ed. Gary Smith. Trans. Richard Sieburth. Cambridge, Mass: Harvard UP, 1986. ---. One-Way Street and Other Writings. Trans. Edmund Jephcott. London: Verso, 1992. ---. “Experience and Poverty.” Selected Writings. Trans. Gesammelte Schriften Ed. Marcus Bullock and Michael J. Jennings. Brand, Dana. “From the Flâneur to the Detective: Interpreting the City of Poe.” Popular Fiction: Technology, Ideology, Production, Reading. Ed. Tony Bennett. London: Routledge, 1990. Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and The Arcades Project. Cambridge, Mass: MIT P, 1991. Butler, Josephine E. Government by the Police. London: Dyer Brothers, 1879. Carringer, Robert L. “Poe’s Tales: The Circumscription of Space.” Modern Critical Interpretations: The Tales of Poe. New York: Chelsea, 1987. Cawelti, John. G. A dventure, Mystery and Romance: Formula Stories as Art and Popular Culture. Chicago: U of Chicago P, 1976. Caygill, Howard. Walter Benjamin: the Color of Experience. London: Routledge, 1998. Clausen, Christopher. “Sherlock Holmes, Order, and the Late-Victorian Mind.” The Georgia Review 38.1 (1984): 104-123. Olsen, Donald J. “Victorian London: Specialization, Segregation, and Privacy.” Victorian Studies 17.3 (1974): 265-278. Doyle, Conan. Sherlock Holmes: The Complete Novels and Stories. London: Bantam, 1986. Fillingham, Lydia Alix. “’The Colorless Skein of Life’: Threats to the Private Sphere in Conan Doyle’s A Study in Scarlet.” ELH 56.3 (2010): 667-688. Frisby, David. Fragments of Modernity: Theories of Modernity in the Work of Simmel, Kracauer and Benjamin. Cambridge: Polity P, 1985. ---. Simmel and Since: Essays on Georg Simmel’s Social Theory. New York: Routledge, 1992. Gay, Peter. The Bourgeois Experience: Victoria to Freud. New York: Oxford UP, 1984. Gilloch, Graeme. Myth and Metropolis: Walter Benjamin and the City. Cambridge: Polity P, 1997. ---. Walter Benjamin: Critical Constellations. Cambridge: Polity P, 2002. Joyce, Simon. Capital Offenses: Geographies of Class and Crime in Victorian London. Charlottesville: U of Virginia P, 2003. Lacan, Jacques. “Seminar on ‘The Purloined Letter’.” The Poetics of Murder: Detective Fiction and Literary Theory. Ed. Glenn W. Most and William W. Stowe. New York: Hartcourt, 1983. 23-54. Marcus, Sharon. “The Haunted London House, 1840-1880.” Apartment Stories: City and Home in Nineteenth-century Paris and London. London: U of California P, 1999. 83-132. Miller, D.A. The Novel and the Police. Berkeley: U of California P, 1988. Moretti, Franco. Atlas of the European Novel: 1800-1900. London: Verso, 1999. ---. Signs Taken for Wonders: Essays in the Sociology of Literary Forms. London: Verso, 1983. Palmer, Jerry. Thrillers: Genesis and Structure of a Popular Genre. London: Routledge, 1978. Poe, Edgar Allan. The Selected Writings of Edgar Allan Poe. Ed. G.R. Thompson. New York: Norton, 2004. Porter, Dennis. The Pursuit of Crime: Art and Ideology in Detective Fiction. New Haven: Yale UP, 1981. Pound, Reginald. Mirror of the Century: The Strand Magazine, 1891-1950. New York: A.S. Barnes, 1966. Pyrhonen, Heta. Murder from an Academic Angle: An Introduction to the Study of the Detective Narrative. Columbia: Camden House, 1994. Salzani, Carlo. “The City as Crime Scene: Walter Benjamin and the Traces of the Detective.” New German Critique 34.1 (2007):165-187. Simmel, Georg. “The Metropolis and Mental Life.” Simmel on Culture: Selected Writings. Ed. David Patrick Frisby and Mike Featherstone. London: Sage, 1997. Trodd, Anthea. Domestic Crime in the Victorian Novel. London: Macmillan P, 1989. Watt, Ian. The Rise of the Novel. Berkeley: U of California P, 1974. zh_TW