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題名 翻「異」:鍾芭‧拉希莉《同名之人》中的離散經驗與身份認同
Translating Hybridity: Diaspora and Identity in Jhumpa Lahiri`s The Namesake
作者 李憲榮
Lee, Shian Rong
貢獻者 邱彥彬
Chiou, Yen Bin
李憲榮
Lee, Shian Rong
關鍵詞 鍾芭・拉希莉
同名之人
翻譯
離散
身份認同
Jhumpa Lahiri
The Namesake
Translation
Diaspora
Identity
日期 2014
上傳時間 1-Jul-2015 14:40:45 (UTC+8)
摘要 鍾芭‧拉希莉(Jhumpa Lahiri)的小說《同名之人》(The Namesake, 2003)被視為近年來探討移民問題深刻的作品之一,書中描述移民家庭的新舊拉扯與兩代之間的文化難題。在此跨世代與跨文化背景下,拉希莉以文化翻譯者的角度述說移民過程中的困境、糾葛。
      本論文將透過對於當代翻譯理論的引用,探討拉希莉如何運用翻譯策略書寫《同名之人》並論述拉希莉如何以翻譯為主要概念開展書中角色的離散經驗與身份認同。
      第一章略述《同名之人》的梗概、介紹其相關評論與說明本論文理論架構。第二章藉由對當代翻譯理論的發展回顧建立對翻譯的重新認知;同時,也將詳述拉希莉與其作品以及翻譯的密切性。第三章檢視離散理念,進而分析離散主體在居間性(in-betweenness)中的文化翻譯。第四章透過對身份認同的探究,釐清翻譯對於離散主體身份建構的不可或缺性。第五章重新討論翻譯與起源(the origin)的問題,並點出翻「異」的價值性所在。
Jhumpa Lahiri’s The Namesake (2003) has been regarded as one of the most brilliant literary works that deals with immigration in recent years. In the novel, Lahiri takes the readers into a full picture of an immigration family, unfolding the hardships of preserving traditions in a new world and the conflicts of seeking roots between two generations. Writing against the background of cross-generations and that of cross-cultures, Lahiri plays the role of a cultural translator, who detailedly narrates the predicament in the process of migration.
      The present thesis would like to adopt translation theories to examine how Lahiri writes The Namesake through translation. In addition, the present thesis also aims to shed light on the concept of diaspora as well as the notion of identity by taking translation into consideration.
      Chapter One begins with the introduction of The Namesake and the methodology used in the present thesis. Chapter Two focuses on reviewing the development of translation theories and on building the interrelationship among Lahiri, Lahiri’s literary works and translation. Chapter Three concentrates on the study of diaspora and cultural translation practiced in in-betweenness. Chapter Four pays attention to the concept of identity and its association with translation. Chapter Five reconsiders the question of origin in translation and validates the value of “translating hybridity”.
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描述 碩士
國立政治大學
英國語文學研究所
99551005
103
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0099551005
資料類型 thesis
dc.contributor.advisor 邱彥彬zh_TW
dc.contributor.advisor Chiou, Yen Binen_US
dc.contributor.author (Authors) 李憲榮zh_TW
dc.contributor.author (Authors) Lee, Shian Rongen_US
dc.creator (作者) 李憲榮zh_TW
dc.creator (作者) Lee, Shian Rongen_US
dc.date (日期) 2014en_US
dc.date.accessioned 1-Jul-2015 14:40:45 (UTC+8)-
dc.date.available 1-Jul-2015 14:40:45 (UTC+8)-
dc.date.issued (上傳時間) 1-Jul-2015 14:40:45 (UTC+8)-
dc.identifier (Other Identifiers) G0099551005en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/76145-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 99551005zh_TW
dc.description (描述) 103zh_TW
dc.description.abstract (摘要) 鍾芭‧拉希莉(Jhumpa Lahiri)的小說《同名之人》(The Namesake, 2003)被視為近年來探討移民問題深刻的作品之一,書中描述移民家庭的新舊拉扯與兩代之間的文化難題。在此跨世代與跨文化背景下,拉希莉以文化翻譯者的角度述說移民過程中的困境、糾葛。
      本論文將透過對於當代翻譯理論的引用,探討拉希莉如何運用翻譯策略書寫《同名之人》並論述拉希莉如何以翻譯為主要概念開展書中角色的離散經驗與身份認同。
      第一章略述《同名之人》的梗概、介紹其相關評論與說明本論文理論架構。第二章藉由對當代翻譯理論的發展回顧建立對翻譯的重新認知;同時,也將詳述拉希莉與其作品以及翻譯的密切性。第三章檢視離散理念,進而分析離散主體在居間性(in-betweenness)中的文化翻譯。第四章透過對身份認同的探究,釐清翻譯對於離散主體身份建構的不可或缺性。第五章重新討論翻譯與起源(the origin)的問題,並點出翻「異」的價值性所在。
zh_TW
dc.description.abstract (摘要) Jhumpa Lahiri’s The Namesake (2003) has been regarded as one of the most brilliant literary works that deals with immigration in recent years. In the novel, Lahiri takes the readers into a full picture of an immigration family, unfolding the hardships of preserving traditions in a new world and the conflicts of seeking roots between two generations. Writing against the background of cross-generations and that of cross-cultures, Lahiri plays the role of a cultural translator, who detailedly narrates the predicament in the process of migration.
      The present thesis would like to adopt translation theories to examine how Lahiri writes The Namesake through translation. In addition, the present thesis also aims to shed light on the concept of diaspora as well as the notion of identity by taking translation into consideration.
      Chapter One begins with the introduction of The Namesake and the methodology used in the present thesis. Chapter Two focuses on reviewing the development of translation theories and on building the interrelationship among Lahiri, Lahiri’s literary works and translation. Chapter Three concentrates on the study of diaspora and cultural translation practiced in in-betweenness. Chapter Four pays attention to the concept of identity and its association with translation. Chapter Five reconsiders the question of origin in translation and validates the value of “translating hybridity”.
en_US
dc.description.tableofcontents Acknowledgement……………………………………………………………………iv
     Chinese Abstract……………………………………………………………………vii
     English Abstract……………………………………………………………………viii
     Chapter One: Introduction
     I. Foreword………………………………………………………………01
     II. Literature Reviews……………………………………………………06
     III. Contribution of the Thesis………………………………………………10
     IV. Methodology……………………………………………………………14
     V. Chapter Organization…………………………………………………18
     Chapter Two: Jhumpa Lahiri and Translation
     I. Foreword………………………………………………………………25
     II. The Shifting Paradigm in Translation Studies…………………………27
     III. The Intervention of Deconstruction……………………………………32
     IV. The Postcolonial Interrogation…………………………………………36
     V. Jhumpa Lahiri in Translation……………………………………………41
     VI. Wrap-up………………………………………………………………45
     Chapter Three: Diaspora and Translation
     I. Foreword………………………………………………………………47
     II. Theorizing Diaspora……………………………………………………50
     III. Reading Diaspora in The Namesake……………………………………55
     IV. Theorizing Cultural Translation………………………………………61
     V. Reading Cultural Translation in The Namesake………………………66
     VI. Wrap-up…………………………………………………………………75
     Chapter Four: Identity and Translation
     I. Foreword………………………………………………………………77
     II. Theorizing Identity……………………………………………………79
     III. Reading Identity in The Namesake……………………………………84
     IV. Theorizing the Proper Name……………………………………………91
     V. Reading the Proper Name in The Namesake……………………………97
     VI. Wrap-up………………………………………………………………108
     Chapter Five: Conclusion…………………………………………………………109
     Works Cited…………………………………………………………………………117
zh_TW
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0099551005en_US
dc.subject (關鍵詞) 鍾芭・拉希莉zh_TW
dc.subject (關鍵詞) 同名之人zh_TW
dc.subject (關鍵詞) 翻譯zh_TW
dc.subject (關鍵詞) 離散zh_TW
dc.subject (關鍵詞) 身份認同zh_TW
dc.subject (關鍵詞) Jhumpa Lahirien_US
dc.subject (關鍵詞) The Namesakeen_US
dc.subject (關鍵詞) Translationen_US
dc.subject (關鍵詞) Diasporaen_US
dc.subject (關鍵詞) Identityen_US
dc.title (題名) 翻「異」:鍾芭‧拉希莉《同名之人》中的離散經驗與身份認同zh_TW
dc.title (題名) Translating Hybridity: Diaspora and Identity in Jhumpa Lahiri`s The Namesakeen_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Works Cited
     
     Abrams, M. H. A Glossary of Literary Terms. 8th ed. Boston: Thomson Wadsworth, 2005. Print.
     Aguiar, Arun. “Interview with Jhumpa Lahiri.” PIF Magazine. PIF Magazine, 1 Aug. 1999. Web. 21 Mar. 2014.
     Ang, Ien. “Together-in-Difference: Beyond Diaspora, into Hybridity.” Asian Studies Review 27.2 (2003): 141-53. Print.
     Alfonso-Forero, Ann Marie. Translating Postcolonial Pasts: Immigration and Identity in the Fiction of Bharati Mukherjee, Elizabeth Nunez, and Jhumpa Lahiri. Diss. U of Miami, 2011. Open Access Dissertations, 2011. Print.
     Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: U of Minnesota P, 1996. Print.
     Balirano, Giuseppe. “Indian Diasporic Aesthetics as a Form of Translation.” Anglistica 12.2 (2008): 87-96. Print.
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