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題名 渥坦貝克《解剖新義》中異鄉人與待客之道的變異
The Concepts of Strangers and Hospitality Reconsidered in Timberlake Wertenbaker’s New Anatomies
作者 黃新雅
Huang, Hsin Ya
貢獻者 楊麗敏
Yang, Li Min
黃新雅
Huang, Hsin Ya
關鍵詞 渥坦貝克
《解剖新義》
茱莉亞·克莉斯蒂娃
我們的異鄉人
雅克‧德希達
待客之道/悅納異己
Timberlake Wertenbaker
New Anatomies
Julia Kristeva
Strangers to Ourselves
Jacques Derrida
Hospitality
日期 2015
上傳時間 24-Aug-2015 09:51:53 (UTC+8)
摘要 渥坦貝克的劇作《解剖新義》聚焦於法國殖民北非時期，伊莎貝拉(Isabelle Eberhardt)的旅行經驗。伊莎貝拉女扮男裝以歐洲冒險家身份旅行，設法爭取個人自由，致力於破除父權社會加諸於女性身上的性別刻板印象。本劇涵蓋了空間位移、遊牧旅行以及與他者相遇的概念。大多數的批評家對於此劇的討論，多著眼於角色如何跨越性別、地理疆界，而鮮少碰觸旅行議題本身。本論文試圖細讀《解剖新義》，進而探討其中的旅行議題，以及旅行伴隨而來的外來者問題。
本論文的第一章涵蓋《解剖新義》的相關評論，以及論文的主題。第二章說明旅行必要的條件，進而帶出本論文關切的旅行要素。第三章引用茱莉亞·克莉斯蒂娃 (Julia Kristeva)對外來者的見解，點出外來者的問題。本劇呈現旅行者與當地居民彼此間心理的矛盾衝突；同時，也提供不同例子說明個人如何能夠緩和自我與他者間的不合。第四章將以雅克·德希達(Jacques Derrida)的「待客之道」(hospitality)理論延續討論個人將如何面對與他者相遇的問題。第五章為本論文的總結，提供新
的解讀《解剖新義》方法。即便「待客之道」的概念在《解剖新義》中的某些場合被曲解誤用，卻也隱含「待客之道」在不同論述中，可能以不同概念呈現。
Timberlake Wertenbaker’s New Anatomies (1981) is a play that centers on Isabelle Eberhardt’s traveling experience during French colonialism in North Africa. Isabelle, who endeavors to break the gender stereotype that is imposed on women in the patriarchal society, manages to strive for her own freedom by setting out for a journey as a European cross-dressed adventurer. The play deals with the ideas of displacement, nomadic traveling, and the encounter with the other. Critics’ responses to the play often focus on how the characters cross the gender and spatial boundaries; however, few of them seem to touch upon the issue on traveling itself. I intend to grapple with the issue on traveling by having a close reading on New Anatomies, and to deal with the accompanying foreigner question in a voyage.
Chapter One of the thesis contains the literature reviews of New Anatomies, and carries out the concern of the thesis. Chapter Two presents the essential element in traveling and further maps out my concern about traveling. Chapter Three brings out the foreigner question by elucidating Julia Kristeva’s notion on strangers. The play reveals the psychological conflicts between a traveler and the locals; meanwhile, it also presents diverse examples on how one is able to reduce the estrangement between one and the other. To proceed with the discussion on how one shall react in response to the encounter with the other, I employ Jacques Derrida’s concept of hospitality in Chapter Four. Chapter Five is the conclusion of the thesis that points out how the thesis can be treated
as a new way of study on New Anatomies. Though the meanings of hospitality are in some occasions being deformed in New Anatomies, they imply that there are different concepts of hospitality that is authorized in different discourses including traveling.
參考文獻 Works Cited
Abbeele, Georges Van Den. Travel as Metaphor: From Montaigne to Rousseau.
Minneapolis: U of Minnesota P, 1992. Print.
Andraş, Carmen. “The Poetics and Politics of Travel: an Overview.” Philologica
Jassyensia 2.2 (2006): 159-67. Print.
Bulfinch, Thomas. Myths of Greece and Rome. Comp. Bryan Holme. New York, NY:
Penguin, 1981. 106-13. Print.
Bush, Sophie. The Theatre of Timberlake Wertenbaker. London: Bloomsbury Methuen
Drama, 2013. Print.
Casey, Edward S. “Strangers at the Edge of Hospitality.” Phenomenologies of the
Stranger: Between Hostility and Hospitality. Ed. Richard Kearney and Kascha Semonovitch. New York: Fordham UP, 2011. 39-48. Print.
Clifford, James. “Notes on Travel and Theory.” Inscriptions 5 (1989). 8 August 2015.
Web.
Derrida, Jacques. “Hospitality, Justice and Responsibility: A dialogue with Jacques
Derrida.” Questioning Ethics: Contemporary Debates in Philosophy. Ed. Richard
Kearney and Mark Dooley. London: Routledge, 1999. Print.
Derrida, Jacques, and Anne Dufourmantelle. Of Hospitality. Trans. Rachel Bowlby.
Stanford, CA: Stanford UP, 2000. Print.
Foster, Verna A. “Reinventing Isabelle Eberhardt: Rereading Timberlake Wertenbaker’s

New Anatomies.” Connotations 17.1 (2007/08): 109-28. Print.
Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund
Freud. Ed. James Strachey, Anna Freud, Alix Strachey, and Alan Tyson. Vol. XVII. London: Hogarth, 1955. Print.
Gömceli, Nursen. Timberlake Wertenbaker and Contemporary British Feminist Drama:
Feminism(s) Illustrated in Timberlake Wertenbaker`s New Anatomies (1981), The
Grace of Mary Traverse (1985), The Love of the Nightingale (1988), and The Break of Day (1995). Bethesda, MD: Academica, 2010. Print.
Greene, Alexis, ed. Women Writing Plays: Three Decades of the Susan Smith Blackburn
Prize. Austin: U of Texas P, 2006. Print.
Hogeveen, Bryan & Joshua Freistadt. “Hospitality and the Homeless: Jacques Derrida in
the Neoliberal City.” Journal of Theoretical and Philosophical Criminology 5.1
(2013): 39-63. Print.
“hospitality, n.” OED Online. Oxford University Press, March 2015. Web. 8 August
2015.
Islam, Syed Manzurul. The Ethics of Travel: From Marco Polo to Kafka. Manchester:
Manchester UP, 1996. Print.
Kristeva, Julia. Strangers to Ourselves. New York: Columbia UP, 1991. Print.
Lawrence, Karen. Penelope Voyages: Women and Travel in the British Literary
Tradition. Ithaca, NY: Cornell UP, 1994. Print.
Leed, Eric. “The Ancients and the Moderns: From Suffering to Freedom.” Defining
Travel: Diverse Visions. Ed. Susan L. Roberson. Jackson: UP Mississippi, 2001. 5-12. Print.
Lisle, Debbie. The Global Politics of Contemporary Travel Writing. Cambridge:
Cambridge UP, 2006. Print.
Malabou, Catherine, and Jacques Derrida. Counterpath: Traveling with Jacques Derrida.
Stanford, CA: Stanford UP, 2004. Print.
Matthews, Julie and Kwangsook Chung. “Credible Witness: Identity, Refuge and
Hospitality.” Borderlands e-journal 7.3 (2008). 8 August 2015. Web.
Naas, Michael. Taking on the Tradition: Jacques Derrida and the Legacies of
Deconstruction. Stanford, CA: Stanford UP, 2003. Print.
“nomad, n. and adj.” OED Online. Oxford University Press, March 2015. Web. 8 August
2015.
Peacock, D. Keith. Radical Stages: Alternative History in Modern British Drama.
New York: Greenwood, 1991. Print.
Roth, Maya E. “Engaging Cultural Translations: Timberlake Wertenbaker’s History
Plays from New Anatomies to After Darwin.” International Dramaturgy:
Translation and Transformations in the Theatre of Timberlake Wertenbaker. Ed.
Roth, Maya E. and Sara Freeman. New York: Peter Lang, 2008. 155-176. Print. Stevenson, Catherine Barnes. Victorian Women Travel Writers in Africa. Boston:
Twayne, 1982. Print.
Stephenson, Heidi, and Natasha Langridge. Rage and Reason: Women Playwrights on
Playwriting. London: Methuen Drama, 1997. Print.
Still, Judith. Derrida and Hospitality: Theory and Practice. Edinburgh: Edinburgh UP,
2010. Print.
“travail, n.1.” OED Online. Oxford University Press, March 2015. Web. 8 August 2015.

Treanor, Brian. “Putting Hospitality in Its Place.” Phenomenologies of the Stranger:
Between Hostility and Hospitality. Ed. Richard Kearney and Kascha
Semonovitch. New York: Fordham UP, 2011. 49-66. Print.
Waldenfels, Bernhard. “Response to the Other.” Encountering the Other(s): Studies in
Literature, History, and Culture. Ed. Gisela Brinker-Gabler. Albany: State U of
New York, 1995. 35-44. Print.
Wertenbaker, Timberlake. Timberlake Wertenbaker: Plays One. London: Faber and
Faber, 1996. Print.
---. “Dancing with History.” Crucible of Cultures: Anglophone Drama at the Turn of a
New Millennium. Ed. Marc Maufort and Franca Bellarisi. New York: Peter Lang,
2002. 17-23. Print.
---. “Prescriptions for a Playwright Life. Dear Emily: On Being a Playwright.” Women
Writing Plays: Three Decades of the Susan Smith Blackburn Prize. Austin: U of
Texas P, 2006. 241-46. Print.
描述 碩士
國立政治大學
英國語文學研究所
100551007
資料來源 http://thesis.lib.nccu.edu.tw/record/#G1005510071
資料類型 thesis
dc.contributor.advisor 楊麗敏zh_TW
dc.contributor.advisor Yang, Li Minen_US
dc.contributor.author (Authors) 黃新雅zh_TW
dc.contributor.author (Authors) Huang, Hsin Yaen_US
dc.creator (作者) 黃新雅zh_TW
dc.creator (作者) Huang, Hsin Yaen_US
dc.date (日期) 2015en_US
dc.date.accessioned 24-Aug-2015 09:51:53 (UTC+8)-
dc.date.available 24-Aug-2015 09:51:53 (UTC+8)-
dc.date.issued (上傳時間) 24-Aug-2015 09:51:53 (UTC+8)-
dc.identifier (Other Identifiers) G1005510071en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/77852-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 100551007zh_TW
dc.description.abstract (摘要) 渥坦貝克的劇作《解剖新義》聚焦於法國殖民北非時期，伊莎貝拉(Isabelle Eberhardt)的旅行經驗。伊莎貝拉女扮男裝以歐洲冒險家身份旅行，設法爭取個人自由，致力於破除父權社會加諸於女性身上的性別刻板印象。本劇涵蓋了空間位移、遊牧旅行以及與他者相遇的概念。大多數的批評家對於此劇的討論，多著眼於角色如何跨越性別、地理疆界，而鮮少碰觸旅行議題本身。本論文試圖細讀《解剖新義》，進而探討其中的旅行議題，以及旅行伴隨而來的外來者問題。
本論文的第一章涵蓋《解剖新義》的相關評論，以及論文的主題。第二章說明旅行必要的條件，進而帶出本論文關切的旅行要素。第三章引用茱莉亞·克莉斯蒂娃 (Julia Kristeva)對外來者的見解，點出外來者的問題。本劇呈現旅行者與當地居民彼此間心理的矛盾衝突；同時，也提供不同例子說明個人如何能夠緩和自我與他者間的不合。第四章將以雅克·德希達(Jacques Derrida)的「待客之道」(hospitality)理論延續討論個人將如何面對與他者相遇的問題。第五章為本論文的總結，提供新
的解讀《解剖新義》方法。即便「待客之道」的概念在《解剖新義》中的某些場合被曲解誤用，卻也隱含「待客之道」在不同論述中，可能以不同概念呈現。		zh_TW
dc.description.abstract (摘要) Timberlake Wertenbaker’s New Anatomies (1981) is a play that centers on Isabelle Eberhardt’s traveling experience during French colonialism in North Africa. Isabelle, who endeavors to break the gender stereotype that is imposed on women in the patriarchal society, manages to strive for her own freedom by setting out for a journey as a European cross-dressed adventurer. The play deals with the ideas of displacement, nomadic traveling, and the encounter with the other. Critics’ responses to the play often focus on how the characters cross the gender and spatial boundaries; however, few of them seem to touch upon the issue on traveling itself. I intend to grapple with the issue on traveling by having a close reading on New Anatomies, and to deal with the accompanying foreigner question in a voyage.
Chapter One of the thesis contains the literature reviews of New Anatomies, and carries out the concern of the thesis. Chapter Two presents the essential element in traveling and further maps out my concern about traveling. Chapter Three brings out the foreigner question by elucidating Julia Kristeva’s notion on strangers. The play reveals the psychological conflicts between a traveler and the locals; meanwhile, it also presents diverse examples on how one is able to reduce the estrangement between one and the other. To proceed with the discussion on how one shall react in response to the encounter with the other, I employ Jacques Derrida’s concept of hospitality in Chapter Four. Chapter Five is the conclusion of the thesis that points out how the thesis can be treated
as a new way of study on New Anatomies. Though the meanings of hospitality are in some occasions being deformed in New Anatomies, they imply that there are different concepts of hospitality that is authorized in different discourses including traveling.		en_US
dc.description.tableofcontents Acknowledgements………………………………………………………………………………………………iii
Chinese Abstract………………………………………………………………………………………………vi
English Abstract………………………………………………………………………………………………viii
Chapter One Introduction………………………………………………………………………1
1.1 Critical Background…………………………………………………………………5
1.2 New Approach to New Anatomies………………………………………11
1.3 Encountering the Otherness-foreignness………………13
1.4 Chapter Organization………………………………………………………………16

Chapter Two The Stranger on the Move………………………………………19
2.1 Traveling and Displacement…………………………………………………………20
2.2 Crossing Boundaries and Experiencing
Difference……………………………………………………………………………………………………22
2.3 The Encounter with the Other……………………………………………………25
2.4 Isabelle/the Stranger, on the Move……………………………………26
2.5 Traveling without Moving………………………………………………………………36

Chapter Three Encountering the Other………………………………………41
3.1 The Foreigner……………………………………………………………………………………………41
3.2 Reconciliation with the Self-Otherness…………………………44
3.3 The Uncanny Strangeness…………………………………………………………………46
3.4 Isabelle, the Other, and the Otherness…………………………50
3.5 Isabelle, the Europeans, and the Local Arabian
Friends……………………………………………………………………………………………………………53
3.6 The One to be Expelled……………………………………………………………………56

Chapter Four Hospitality, Hostility, Hospitality………61
4.1 The Questions of Foreigners………………………………………………………61
4.2 Unconditional Hospitality and Conditional
Hospitality…………………………………………………………………………………………………62
4.3 The Host-guest Relationship………………………………………………………71
4.4 The Host-guest Relationship………………………………………………………74

Chapter Five Conclusion…………………………………………………………………………81

Works Cited……………………………………………………………………………………………………………93		zh_TW
dc.format.extent 887437 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G1005510071en_US
dc.subject (關鍵詞) 渥坦貝克zh_TW
dc.subject (關鍵詞) 《解剖新義》zh_TW
dc.subject (關鍵詞) 茱莉亞·克莉斯蒂娃zh_TW
dc.subject (關鍵詞) 我們的異鄉人zh_TW
dc.subject (關鍵詞) 雅克‧德希達zh_TW
dc.subject (關鍵詞) 待客之道/悅納異己zh_TW
dc.subject (關鍵詞) Timberlake Wertenbakeren_US
dc.subject (關鍵詞) New Anatomiesen_US
dc.subject (關鍵詞) Julia Kristevaen_US
dc.subject (關鍵詞) Strangers to Ourselvesen_US
dc.subject (關鍵詞) Jacques Derridaen_US
dc.subject (關鍵詞) Hospitalityen_US
dc.title (題名) 渥坦貝克《解剖新義》中異鄉人與待客之道的變異zh_TW
dc.title (題名) The Concepts of Strangers and Hospitality Reconsidered in Timberlake Wertenbaker’s New Anatomiesen_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Works Cited
Abbeele, Georges Van Den. Travel as Metaphor: From Montaigne to Rousseau.
Minneapolis: U of Minnesota P, 1992. Print.
Andraş, Carmen. “The Poetics and Politics of Travel: an Overview.” Philologica
Jassyensia 2.2 (2006): 159-67. Print.
Bulfinch, Thomas. Myths of Greece and Rome. Comp. Bryan Holme. New York, NY:
Penguin, 1981. 106-13. Print.
Bush, Sophie. The Theatre of Timberlake Wertenbaker. London: Bloomsbury Methuen
Drama, 2013. Print.
Casey, Edward S. “Strangers at the Edge of Hospitality.” Phenomenologies of the
Stranger: Between Hostility and Hospitality. Ed. Richard Kearney and Kascha Semonovitch. New York: Fordham UP, 2011. 39-48. Print.
Clifford, James. “Notes on Travel and Theory.” Inscriptions 5 (1989). 8 August 2015.
Web.
Derrida, Jacques. “Hospitality, Justice and Responsibility: A dialogue with Jacques
Derrida.” Questioning Ethics: Contemporary Debates in Philosophy. Ed. Richard
Kearney and Mark Dooley. London: Routledge, 1999. Print.
Derrida, Jacques, and Anne Dufourmantelle. Of Hospitality. Trans. Rachel Bowlby.
Stanford, CA: Stanford UP, 2000. Print.
Foster, Verna A. “Reinventing Isabelle Eberhardt: Rereading Timberlake Wertenbaker’s

New Anatomies.” Connotations 17.1 (2007/08): 109-28. Print.
Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sigmund
Freud. Ed. James Strachey, Anna Freud, Alix Strachey, and Alan Tyson. Vol. XVII. London: Hogarth, 1955. Print.
Gömceli, Nursen. Timberlake Wertenbaker and Contemporary British Feminist Drama:
Feminism(s) Illustrated in Timberlake Wertenbaker`s New Anatomies (1981), The
Grace of Mary Traverse (1985), The Love of the Nightingale (1988), and The Break of Day (1995). Bethesda, MD: Academica, 2010. Print.
Greene, Alexis, ed. Women Writing Plays: Three Decades of the Susan Smith Blackburn
Prize. Austin: U of Texas P, 2006. Print.
Hogeveen, Bryan & Joshua Freistadt. “Hospitality and the Homeless: Jacques Derrida in
the Neoliberal City.” Journal of Theoretical and Philosophical Criminology 5.1
(2013): 39-63. Print.
“hospitality, n.” OED Online. Oxford University Press, March 2015. Web. 8 August
2015.
Islam, Syed Manzurul. The Ethics of Travel: From Marco Polo to Kafka. Manchester:
Manchester UP, 1996. Print.
Kristeva, Julia. Strangers to Ourselves. New York: Columbia UP, 1991. Print.
Lawrence, Karen. Penelope Voyages: Women and Travel in the British Literary
Tradition. Ithaca, NY: Cornell UP, 1994. Print.
Leed, Eric. “The Ancients and the Moderns: From Suffering to Freedom.” Defining
Travel: Diverse Visions. Ed. Susan L. Roberson. Jackson: UP Mississippi, 2001. 5-12. Print.
Lisle, Debbie. The Global Politics of Contemporary Travel Writing. Cambridge:
Cambridge UP, 2006. Print.
Malabou, Catherine, and Jacques Derrida. Counterpath: Traveling with Jacques Derrida.
Stanford, CA: Stanford UP, 2004. Print.
Matthews, Julie and Kwangsook Chung. “Credible Witness: Identity, Refuge and
Hospitality.” Borderlands e-journal 7.3 (2008). 8 August 2015. Web.
Naas, Michael. Taking on the Tradition: Jacques Derrida and the Legacies of
Deconstruction. Stanford, CA: Stanford UP, 2003. Print.
“nomad, n. and adj.” OED Online. Oxford University Press, March 2015. Web. 8 August
2015.
Peacock, D. Keith. Radical Stages: Alternative History in Modern British Drama.
New York: Greenwood, 1991. Print.
Roth, Maya E. “Engaging Cultural Translations: Timberlake Wertenbaker’s History
Plays from New Anatomies to After Darwin.” International Dramaturgy:
Translation and Transformations in the Theatre of Timberlake Wertenbaker. Ed.
Roth, Maya E. and Sara Freeman. New York: Peter Lang, 2008. 155-176. Print. Stevenson, Catherine Barnes. Victorian Women Travel Writers in Africa. Boston:
Twayne, 1982. Print.
Stephenson, Heidi, and Natasha Langridge. Rage and Reason: Women Playwrights on
Playwriting. London: Methuen Drama, 1997. Print.
Still, Judith. Derrida and Hospitality: Theory and Practice. Edinburgh: Edinburgh UP,
2010. Print.
“travail, n.1.” OED Online. Oxford University Press, March 2015. Web. 8 August 2015.

Treanor, Brian. “Putting Hospitality in Its Place.” Phenomenologies of the Stranger:
Between Hostility and Hospitality. Ed. Richard Kearney and Kascha
Semonovitch. New York: Fordham UP, 2011. 49-66. Print.
Waldenfels, Bernhard. “Response to the Other.” Encountering the Other(s): Studies in
Literature, History, and Culture. Ed. Gisela Brinker-Gabler. Albany: State U of
New York, 1995. 35-44. Print.
Wertenbaker, Timberlake. Timberlake Wertenbaker: Plays One. London: Faber and
Faber, 1996. Print.
---. “Dancing with History.” Crucible of Cultures: Anglophone Drama at the Turn of a
New Millennium. Ed. Marc Maufort and Franca Bellarisi. New York: Peter Lang,
2002. 17-23. Print.
---. “Prescriptions for a Playwright Life. Dear Emily: On Being a Playwright.” Women
Writing Plays: Three Decades of the Susan Smith Blackburn Prize. Austin: U of
Texas P, 2006. 241-46. Print.		zh_TW