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題名 誘人的反感：怪物及厭噁美學
Alluring Aversion: The Monstrous and Aesthetics of Disgust
作者 林嘉鴻
Lin, Chia Hung
貢獻者 陳超明
Chen, Chao Ming
林嘉鴻
Lin, Chia Hung
關鍵詞 美學
哥德
怪物
厭噁
康德
海德格
aesthetics
gothic
monster
disgust
Kant
Heidegger
日期 2015
上傳時間 1-Oct-2015 14:08:55 (UTC+8)
摘要 哥德研究創建了自我的世界。批評與理論努力地透過客製化的方法與術語去捕捉與檢視哥德文學中不同的黑暗與恐怪模式。哥德不只是虛構的故事；它形塑與發聲了某些人類的經驗，並且探索了社會與文化的場境。關於哥德美學研究，大多是關於艾德蒙．伯克與伊曼紐．康德的壯美概念，闡釋人類主觀經驗的黑暗性，其中多著重於壯美與恐怖的力量，特別是其「壓倒性」效果的特色。這些方面，雖經研究開發，但仍未盡察其暗黑藝術。在哥德研究方面，厭噁曾被提及其影響的價值，但卻缺乏有系統地檢視與理論化。除了關於恐怖在哥德小說方面廣泛的研究，另一個原始的情動，厭噁，被指出其影響的價值，扮演重要的角色在於捕捉愉悅的厭噁與厭噁的愉悅於哥德黑暗美學的模稜性，如此重要但仍缺乏闡釋與理論化。此論文目標在於，透過重新解讀在《夜訪吸血鬼》、《沉默的羔羊》與《美國殺人魔》中有名/惡名的哥德怪物，多面檢視研究厭噁美學特性。
Gothic studies have developed a world of its own. Criticisms and theories struggle to capture and examine various patterns of darkness and eeriness in Gothic literature through employing customized methods and jargons. The Gothic is not just about fictional stories; it shapes and articulates certain human experiences, and explores the societal and cultural circumstances. The studies of the Gothic aesthetics are mostly related to Edmund Burke’s and Immanuel Kant’s concepts of the sublime, elaborating the darkness of human subjective experience, in which the force of the sublime and terror is emphasized, especially the feature of “overwhelming” effect. Gothic aesthetics, in facets of sublime, terror, and horror, has been elaborated but not exhausted its art of darkness. Apart from extensively studied terror in Gothic novels, another primitive affect, disgust, which cannot be denied its affecting value but still lacks elaboration and theorization, plays a significant roles in the grasp of the ambivalence of pleasurable aversion and aversive pleasure of Gothic aesthetics of darkness. This dissertation aims at interrogating the multifaceted aesthetics of disgust via re-examinations of in/famous Gothic monsters in Interview with the Vampire, The Silence of the Lambs, and American Psycho.
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---. The Unnameable Monster in Literature and Film. New York: Routledge, 2013. Print.
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描述 博士
國立政治大學
英國語文學研究所
95551502
資料來源 http://thesis.lib.nccu.edu.tw/record/#G0095551502
資料類型 thesis
dc.contributor.advisor 陳超明zh_TW
dc.contributor.advisor Chen, Chao Mingen_US
dc.contributor.author (Authors) 林嘉鴻zh_TW
dc.contributor.author (Authors) Lin, Chia Hungen_US
dc.creator (作者) 林嘉鴻zh_TW
dc.creator (作者) Lin, Chia Hungen_US
dc.date (日期) 2015en_US
dc.date.accessioned 1-Oct-2015 14:08:55 (UTC+8)-
dc.date.available 1-Oct-2015 14:08:55 (UTC+8)-
dc.date.issued (上傳時間) 1-Oct-2015 14:08:55 (UTC+8)-
dc.identifier (Other Identifiers) G0095551502en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/78708-
dc.description (描述) 博士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學研究所zh_TW
dc.description (描述) 95551502zh_TW
dc.description.abstract (摘要) 哥德研究創建了自我的世界。批評與理論努力地透過客製化的方法與術語去捕捉與檢視哥德文學中不同的黑暗與恐怪模式。哥德不只是虛構的故事；它形塑與發聲了某些人類的經驗，並且探索了社會與文化的場境。關於哥德美學研究，大多是關於艾德蒙．伯克與伊曼紐．康德的壯美概念，闡釋人類主觀經驗的黑暗性，其中多著重於壯美與恐怖的力量，特別是其「壓倒性」效果的特色。這些方面，雖經研究開發，但仍未盡察其暗黑藝術。在哥德研究方面，厭噁曾被提及其影響的價值，但卻缺乏有系統地檢視與理論化。除了關於恐怖在哥德小說方面廣泛的研究，另一個原始的情動，厭噁，被指出其影響的價值，扮演重要的角色在於捕捉愉悅的厭噁與厭噁的愉悅於哥德黑暗美學的模稜性，如此重要但仍缺乏闡釋與理論化。此論文目標在於，透過重新解讀在《夜訪吸血鬼》、《沉默的羔羊》與《美國殺人魔》中有名/惡名的哥德怪物，多面檢視研究厭噁美學特性。zh_TW
dc.description.abstract (摘要) Gothic studies have developed a world of its own. Criticisms and theories struggle to capture and examine various patterns of darkness and eeriness in Gothic literature through employing customized methods and jargons. The Gothic is not just about fictional stories; it shapes and articulates certain human experiences, and explores the societal and cultural circumstances. The studies of the Gothic aesthetics are mostly related to Edmund Burke’s and Immanuel Kant’s concepts of the sublime, elaborating the darkness of human subjective experience, in which the force of the sublime and terror is emphasized, especially the feature of “overwhelming” effect. Gothic aesthetics, in facets of sublime, terror, and horror, has been elaborated but not exhausted its art of darkness. Apart from extensively studied terror in Gothic novels, another primitive affect, disgust, which cannot be denied its affecting value but still lacks elaboration and theorization, plays a significant roles in the grasp of the ambivalence of pleasurable aversion and aversive pleasure of Gothic aesthetics of darkness. This dissertation aims at interrogating the multifaceted aesthetics of disgust via re-examinations of in/famous Gothic monsters in Interview with the Vampire, The Silence of the Lambs, and American Psycho.en_US
dc.description.tableofcontents Acknowledgements iii
Chinese Abstract v
English Abstract vi
Introduction 1
Chapter One: Monsters and Appealing Disgust 39
Chapter Two: Interview with the Vampire 53
Chapter Three: The Silence of the Lambs 89
Chapter Four: American Psycho 125
Conclusion 145
Works Cited 161		zh_TW
dc.format.extent 1739186 bytes-
dc.format.mimetype application/pdf-
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#G0095551502en_US
dc.subject (關鍵詞) 美學zh_TW
dc.subject (關鍵詞) 哥德zh_TW
dc.subject (關鍵詞) 怪物zh_TW
dc.subject (關鍵詞) 厭噁zh_TW
dc.subject (關鍵詞) 康德zh_TW
dc.subject (關鍵詞) 海德格zh_TW
dc.subject (關鍵詞) aestheticsen_US
dc.subject (關鍵詞) gothicen_US
dc.subject (關鍵詞) monsteren_US
dc.subject (關鍵詞) disgusten_US
dc.subject (關鍵詞) Kanten_US
dc.subject (關鍵詞) Heideggeren_US
dc.title (題名) 誘人的反感：怪物及厭噁美學zh_TW
dc.title (題名) Alluring Aversion: The Monstrous and Aesthetics of Disgusten_US
dc.type (資料類型) thesisen
dc.relation.reference (參考文獻) Algee-Hewitt, Mark Andrew. "The Afterlife of the Sublime: Toward a New History of Aesthetics in the Long Eighteenth Century." New York U, 2008. Print.
Arrigo, Bruce A., and Heather Y. Bersot. The Routledge Handbook of International Crime and Justice Studies. London: Routledge, 2014. Print.
Bailey, Diane. Vampires in Mythology. New York: Rosen Central, 2012. Print.
Baker, Anna Elizabeth. "The Aesthetics of Ugliness." Ph.D. University of Virginia, 2008. Print.
Bartlett, W. B., and Flavia Idriceanu. Legends of Blood : The Vampire in History and Myth. Westport, Conn.: Praeger, 2006. Print.
Bennett, Betty T., and Stuart Curran. Mary Shelley in Her Times. Baltimore: Johns Hopkins UP, 2000. Print.
Beville, Maria. Gothic-Postmodernism: Voicing the Terrors of Postmodernity. Amsterdam: Rodopi, 2009. Print.
---. The Unnameable Monster in Literature and Film. New York: Routledge, 2013. Print.
Bloom, Allan. The Closing of the American Mind. New York: Simon and Schuster, 1987. Print.
Bloom, Clive. Gothic Histories: The Taste for Terror, 1764 to the Present. London: Continuum, 2010. Print.
Botting, Fred. The Gothic. Woodbridge: D.S. Brewer, 2001. Print.
Brady, Emily. The Sublime in Modern Philosophy : Aesthetics, Ethics, and Nature.
2013. Print.
Browning, John Edgar, and Caroline Joan Picart. Draculas, Vampires, and Other Undead Forms : Essays on Gender, Race, and Culture. Lanham: Scarecrow, 2009. Print.
Brunsdon, Charlotte. "Structure of Anxiety: Recent British Television Crime Fiction." Screen 39.3 (1998): 223-43. Print.
Burwick, Frederick. Romanticism : Keywords. Chichester, West Sussex: Wiley Blackwell, 2015. Print.
Butler, Erik. Metamorphoses of the Vampire in Literature and Film : Cultural Transformations in Europe, 1732-1933. Rochester, N.Y.: Camden House, 2010. Print.
Carpi, Daniela. "Bioethics and Biolaw through Literature." De Gruyter 2011. Web.
Carroll, Noël. The Philosophy of Horror, or, Paradoxes of the Heart. New York: Routledge, 1990. Print.
Cavallaro, Dani. The Gothic Vision: Three Centuries of Horror, Terror, and Fear. London: Continuum, 2005. Print.
Caveny, Graham, and Elizabeth Young. Shopping in Space: Essays on American "Blank Generation" Fiction. London: Serpent`s Tail, 1992. Print.
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