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題名 跨越邊界：葛蒂瑪《吾兒故事》中的再現，顛覆及認同問題
Border crossing: re/presentation, subversion and identity in nadine gordimer`s my Son`s story作者 陳麗如
Chen, Li-Ru貢獻者 劉建基
Liu, Chien-Chi
陳麗如
Chen, Li-Ru關鍵詞 再現
諧擬
第三空間
認同
顛覆
鏡像階段
Representation
Mimicry
The third/liminal space
Identity
Subversion
Mirror stage日期 2002 上傳時間 30-Mar-2016 17:06:55 (UTC+8) 摘要 《吾兒故事》是葛蒂瑪第一本以非自人的敘事觀點寫成。她一 方面以有色人種的革命家庭為縮影，揭示南非種族隔離社會中，少數族裔的困境。另一方面，她質疑男性觀點下女性形象再現的偏頗，突顯非自人女性再殖民統治及父權宰制下的顛覆力量，並描繪跨種族之認同心理。藉此，葛蒂瑪呈現了多元文化中跨越界線的可能。葛蒂瑪超越了種族及性別觀點的限制，將她慣用的自女性觀點轉為非自人的男性觀點，以突顯非自人革命社群中的內部問題。正如她之前的小說，《吾兒故事》不僅呈現了南非的轉變和她自己寫作策略的改變，更標明了葛蒂瑪處理非自人議題時，跳脫自人觀點的新里程碑。
My Son s Story is Nadine Gordimer`s tenth novel but is her first novel narrated in the nonwhite perspective. Gordimer uses a colored revolutionary family as a microcosm in the apartheid society to unveil the dilemma and predicament of the in-between men and women in South African apartheid. In the colored male`s narrative, Gordimer attempts to interrogate the partial and problematic representation of South African women, to highlight the oppression and subversion of the nonwhite women dominated by colonial and patriarchal authority and to scrutinizes the psychic desire of the interracial relationship between a colored man and a white feminist. In this novel, Gordimer presents a possibility of the boundary crossing in the multiracial and multicultural South Africa through the story of the colored family. My thesis aims to tackle the problems of the representation of South African women in masculine narrative, the subversion of the oppressed, and the identities of the in-between people.參考文獻 Works Cited Ashcroft, Bill, Gareth Griffiths, Helen Tiffin. The Empire Writes Back. Routledge, 1994. Barker, Chris. Cultural Studies: Theory and Practice. London: Sage, 2000. Barker, F. Hulme, P. and Iversen, eds. Colonial Discourse/Postcolonial Theory. Manchester and New York: Manchester UP. Bazin, Nancy Topping. “Sex, Politics, and Silent Black Women: Nadine Gordimer’s Occasion for Loving, A Sport of Nature, and My Son’s Story.” Black/White Writing: Essays on South African Literature. Ed. Pauline Fletcher. Lewisburg: Bucknell UP, 1993. 30-45. Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. ---. “Staging the Politics of Difference: Homi Bhabha’s Critical Literacy.” Race, Rhetoric, and the Postcolonial. Ed. Cary A. Olson and Lynn Worsham. New York: State University of New York, 1999. Bonner, Marita O. “On Being Young—A Woman—and Colored.” Frye Street and Environs: The Collected Works of Marita Bonner, edited by Joyce Flynn and Joyce Occomy Stricklin. Boston: Beacon, 1987. Boyers, Robert, “A Conversation with Nadine Gordimer.” Salmagundi 62 (1984): 19-23. Chanda, Ipshita. “Speaking for Another—Nadine Gordimer’s My Son’s Story. Literary Criterion 27.3 (1992): 56-70. Chow, Rey. “Where Have All the Natives Gone?” Contemporary Postcolonial Theory. Ed. Padmini Mongia. London: Arnold, 1997. 122-46. Clingman, Stephen. The Novels of Nadine Gordimer: History from the Inside. Amherst: U of Massachusetts P, 1992. Cixous, Hélène. New French Feminism. New York: Schocken Books, 1981. Driver, Dorothy. “Nadine Gordimer: The Politicisation of Women.” English in Africa 16 (1983): 29-54. Ettin, Vogel Andrew. Betrayals of the Body Politic: The Literary Commitments of Nadine Gordimer. Charlottesville: UP of Virginia, 1993. Fee, Margery. “Who Can Write as Other?” The Post-colonial Reader. Ed. Bill Aschcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 242-45. Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove Weidenfeld, 1967. Glass, Jame N. Shattered Selves: Multiple Personality in a Postmodern World. Ithaca: Cornell Up, 1993. Greenstein, Susan M. “My Son’s Story: Drenching the Censors – the Dilemma of White Writing.” The Novels of Nadine Gordimer: Private Lives/Public Landscapes. Ed. John Cooke. London: Louisiana State UP, 1985. Gordimer, Nadine. Interview with Nancy Topping Bazin. Contemporary Literature. 36.4 (1995): 571-87. ---. “A Vocation to Write.” The Spirit of Freedom. Ed. Charles Villa-vicencio. Berkeley: U of California P, 1996. 102-13. ---. “Living in the Interregnum” in The Essential Gesture. London: Penguin, 1984. ---. My Son’s Story. Penguin, 1990. ---. None to Accompany Me. Penguin, 1994. Hall, Stuart. “Cultural Identity and Diaspora.” Contemporary Postcolonial Theory. Ed. Padmini Mongia. London: Arnold, 1997. 110-21. ---. “Ethnicity: Identities and Difference.” Radical America 23.4 (1989): 9-20. ---. Representation: Cultural Representations and Signifying Practices. London: the Open University, 1997. Hall, Stuart and Paul Du Gay, eds. Questions of Cultural Identity. London: Sage, 1996. Henderson, Mae G., ed. Borders, Boundaries, and Frames: Essays in Cultural Criticism and Cultural Studies. New York: Routledge, 1995. Knox, Alice. “No Place Like Utopia: Cross-Racial Couples in Nadine Gordimer’s Later Novels.” ARIEL 27.1 (1996): 63-80. Kristeva, Julia. “Women’s Time.” The Kristeva Reader. Ed. Toril Moi. Oxford: Blackwell, 1986. 190-6. Lionnet, Françoise. Postcolonial Representations: Women, Literature, Identity. Ithaca: Cornell University, 1995. Lockett, Cecily. “Feminism(s) and Writing in English in South Africa.” Current Writing (1990): 1-21. Loomba, Aina. Colonialism/Postcolonialism. Routledge, 1998. Olson, Gary A. and Lynn Worsham, eds. Race, Rhetoric, and the Postcolonial. New York: State University of New York, 1999. Papastergiadis, Nikos. “Tracing Hybridity in Theory.” Debating Cultural Hybridity. Ed. Pnina Werbner and Tariq Modood. London: 2eD Books, 1997. 257-81. Said, Edward W. Orientalism. New York: Random House, 1979. Sarup, Madan. Jacques Lacan. Harvester Wheatsheaf, 1992. Saussure, Ferdinand. De. Course in General Linguistics. London: Peter Owen, 1960. Shakespeare, William. As You Like it. Ed. Agnes latham. London: Methuen, 1975. Sonza, Jorshinelle T.. “My Turn, Now”: Debunking the Gordimer “Mystique” in My Son’s Story.” Research in African Literatures 25.4 (1994): 105-16. Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” Colonial Discourse and Post-colonial Theory: A Reader. Ed. Patrick Williams and Laura Chrisman. New York: Columbia UP, 1994. 66-111. Temple-Thurston, Barbara. Nadine Gordimer Revisited. New York: Twayne Publishers, 1999. Visel, Robin. “Othering the Self: Nadine Gordimer’s Colonial Heroines.” Ariel 19.4 (1988): 33-42. Wagner, Kathrin. Rereading Nadine Gordimer. Indiana UP, 1994. Weinhouse, Linda. “The Paternal Gift of narration: Nadine Gordimer’s My Son’s Story.” The Journal of Commonwealth Literature. 29:2 (1993): 66-76. Woodward, Kathryn, ed. Identity and Difference. London: Open University, 1997. Yelin, Louise. From the Margins of Empire: Christina Stead, Doris Lessing, and Nadine Gordimer. Ithaca: Cornell U, 1998. Young, Robert J. C.. Colonial Desire: Hybridity in Theory, Culture and Race. London: Routledge, 1994. 描述 碩士
國立政治大學
英國語文學系
87551010資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002000030 資料類型 thesis dc.contributor.advisor 劉建基 zh_TW dc.contributor.advisor Liu, Chien-Chi en_US dc.contributor.author (Authors) 陳麗如 zh_TW dc.contributor.author (Authors) Chen, Li-Ru en_US dc.creator (作者) 陳麗如 zh_TW dc.creator (作者) Chen, Li-Ru en_US dc.date (日期) 2002 en_US dc.date.accessioned 30-Mar-2016 17:06:55 (UTC+8) - dc.date.available 30-Mar-2016 17:06:55 (UTC+8) - dc.date.issued (上傳時間) 30-Mar-2016 17:06:55 (UTC+8) - dc.identifier (Other Identifiers) B2002000030 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/83057 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description (描述) 87551010 zh_TW dc.description.abstract (摘要) 《吾兒故事》是葛蒂瑪第一本以非自人的敘事觀點寫成。她一 方面以有色人種的革命家庭為縮影，揭示南非種族隔離社會中，少數族裔的困境。另一方面，她質疑男性觀點下女性形象再現的偏頗，突顯非自人女性再殖民統治及父權宰制下的顛覆力量，並描繪跨種族之認同心理。藉此，葛蒂瑪呈現了多元文化中跨越界線的可能。葛蒂瑪超越了種族及性別觀點的限制，將她慣用的自女性觀點轉為非自人的男性觀點，以突顯非自人革命社群中的內部問題。正如她之前的小說，《吾兒故事》不僅呈現了南非的轉變和她自己寫作策略的改變，更標明了葛蒂瑪處理非自人議題時，跳脫自人觀點的新里程碑。 zh_TW dc.description.abstract (摘要) My Son s Story is Nadine Gordimer`s tenth novel but is her first novel narrated in the nonwhite perspective. Gordimer uses a colored revolutionary family as a microcosm in the apartheid society to unveil the dilemma and predicament of the in-between men and women in South African apartheid. In the colored male`s narrative, Gordimer attempts to interrogate the partial and problematic representation of South African women, to highlight the oppression and subversion of the nonwhite women dominated by colonial and patriarchal authority and to scrutinizes the psychic desire of the interracial relationship between a colored man and a white feminist. In this novel, Gordimer presents a possibility of the boundary crossing in the multiracial and multicultural South Africa through the story of the colored family. My thesis aims to tackle the problems of the representation of South African women in masculine narrative, the subversion of the oppressed, and the identities of the in-between people. en_US dc.description.tableofcontents Acknowledgements-----iii Chinese Abstract-----v English Abstract-----vi Chapter I Introduction Chapter II The Problematic Re/Presentation of Women in Masculine Narrative-----24 Chapter III Subversion: From Silence-breaking to Resistance-----47 Chapter IV Between Black and White: A Quest for Identity-----71 Chapter V Conclusion Works Cited-----103 zh_TW dc.format.extent 46444 bytes - dc.format.extent 76837 bytes - dc.format.extent 43347 bytes - dc.format.extent 40153 bytes - dc.format.extent 110750 bytes - dc.format.extent 693688 bytes - dc.format.extent 708255 bytes - dc.format.extent 672599 bytes - dc.format.extent 747957 bytes - dc.format.extent 165958 bytes - dc.format.extent 129229 bytes - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.format.mimetype application/pdf - dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002000030 en_US dc.subject (關鍵詞) 再現 zh_TW dc.subject (關鍵詞) 諧擬 zh_TW dc.subject (關鍵詞) 第三空間 zh_TW dc.subject (關鍵詞) 認同 zh_TW dc.subject (關鍵詞) 顛覆 zh_TW dc.subject (關鍵詞) 鏡像階段 zh_TW dc.subject (關鍵詞) Representation en_US dc.subject (關鍵詞) Mimicry en_US dc.subject (關鍵詞) The third/liminal space en_US dc.subject (關鍵詞) Identity en_US dc.subject (關鍵詞) Subversion en_US dc.subject (關鍵詞) Mirror stage en_US dc.title (題名) 跨越邊界：葛蒂瑪《吾兒故事》中的再現，顛覆及認同問題 zh_TW dc.title (題名) Border crossing: re/presentation, subversion and identity in nadine gordimer`s my Son`s story en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Works Cited Ashcroft, Bill, Gareth Griffiths, Helen Tiffin. The Empire Writes Back. Routledge, 1994. Barker, Chris. Cultural Studies: Theory and Practice. London: Sage, 2000. Barker, F. Hulme, P. and Iversen, eds. Colonial Discourse/Postcolonial Theory. Manchester and New York: Manchester UP. Bazin, Nancy Topping. “Sex, Politics, and Silent Black Women: Nadine Gordimer’s Occasion for Loving, A Sport of Nature, and My Son’s Story.” Black/White Writing: Essays on South African Literature. Ed. Pauline Fletcher. Lewisburg: Bucknell UP, 1993. 30-45. Bhabha, Homi K. The Location of Culture. London: Routledge, 1994. ---. “Staging the Politics of Difference: Homi Bhabha’s Critical Literacy.” Race, Rhetoric, and the Postcolonial. Ed. Cary A. Olson and Lynn Worsham. New York: State University of New York, 1999. Bonner, Marita O. “On Being Young—A Woman—and Colored.” Frye Street and Environs: The Collected Works of Marita Bonner, edited by Joyce Flynn and Joyce Occomy Stricklin. Boston: Beacon, 1987. Boyers, Robert, “A Conversation with Nadine Gordimer.” Salmagundi 62 (1984): 19-23. Chanda, Ipshita. “Speaking for Another—Nadine Gordimer’s My Son’s Story. Literary Criterion 27.3 (1992): 56-70. Chow, Rey. “Where Have All the Natives Gone?” Contemporary Postcolonial Theory. Ed. Padmini Mongia. London: Arnold, 1997. 122-46. Clingman, Stephen. The Novels of Nadine Gordimer: History from the Inside. Amherst: U of Massachusetts P, 1992. Cixous, Hélène. New French Feminism. New York: Schocken Books, 1981. Driver, Dorothy. “Nadine Gordimer: The Politicisation of Women.” English in Africa 16 (1983): 29-54. Ettin, Vogel Andrew. Betrayals of the Body Politic: The Literary Commitments of Nadine Gordimer. Charlottesville: UP of Virginia, 1993. Fee, Margery. “Who Can Write as Other?” The Post-colonial Reader. Ed. Bill Aschcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, 1995. 242-45. Fanon, Frantz. Black Skin, White Masks. Trans. Charles Lam Markmann. New York: Grove Weidenfeld, 1967. Glass, Jame N. Shattered Selves: Multiple Personality in a Postmodern World. Ithaca: Cornell Up, 1993. Greenstein, Susan M. “My Son’s Story: Drenching the Censors – the Dilemma of White Writing.” The Novels of Nadine Gordimer: Private Lives/Public Landscapes. Ed. John Cooke. London: Louisiana State UP, 1985. Gordimer, Nadine. Interview with Nancy Topping Bazin. Contemporary Literature. 36.4 (1995): 571-87. ---. “A Vocation to Write.” The Spirit of Freedom. Ed. Charles Villa-vicencio. Berkeley: U of California P, 1996. 102-13. ---. “Living in the Interregnum” in The Essential Gesture. London: Penguin, 1984. ---. My Son’s Story. Penguin, 1990. ---. None to Accompany Me. Penguin, 1994. Hall, Stuart. “Cultural Identity and Diaspora.” Contemporary Postcolonial Theory. Ed. Padmini Mongia. London: Arnold, 1997. 110-21. ---. “Ethnicity: Identities and Difference.” Radical America 23.4 (1989): 9-20. ---. Representation: Cultural Representations and Signifying Practices. London: the Open University, 1997. Hall, Stuart and Paul Du Gay, eds. Questions of Cultural Identity. London: Sage, 1996. Henderson, Mae G., ed. Borders, Boundaries, and Frames: Essays in Cultural Criticism and Cultural Studies. New York: Routledge, 1995. Knox, Alice. “No Place Like Utopia: Cross-Racial Couples in Nadine Gordimer’s Later Novels.” ARIEL 27.1 (1996): 63-80. Kristeva, Julia. “Women’s Time.” The Kristeva Reader. Ed. Toril Moi. Oxford: Blackwell, 1986. 190-6. Lionnet, Françoise. Postcolonial Representations: Women, Literature, Identity. Ithaca: Cornell University, 1995. Lockett, Cecily. “Feminism(s) and Writing in English in South Africa.” Current Writing (1990): 1-21. Loomba, Aina. Colonialism/Postcolonialism. Routledge, 1998. Olson, Gary A. and Lynn Worsham, eds. Race, Rhetoric, and the Postcolonial. New York: State University of New York, 1999. Papastergiadis, Nikos. “Tracing Hybridity in Theory.” Debating Cultural Hybridity. Ed. Pnina Werbner and Tariq Modood. London: 2eD Books, 1997. 257-81. Said, Edward W. Orientalism. New York: Random House, 1979. Sarup, Madan. Jacques Lacan. Harvester Wheatsheaf, 1992. Saussure, Ferdinand. De. Course in General Linguistics. London: Peter Owen, 1960. Shakespeare, William. As You Like it. Ed. Agnes latham. London: Methuen, 1975. Sonza, Jorshinelle T.. “My Turn, Now”: Debunking the Gordimer “Mystique” in My Son’s Story.” Research in African Literatures 25.4 (1994): 105-16. Spivak, Gayatri Chakravorty. “Can the Subaltern Speak?” Colonial Discourse and Post-colonial Theory: A Reader. Ed. Patrick Williams and Laura Chrisman. New York: Columbia UP, 1994. 66-111. Temple-Thurston, Barbara. Nadine Gordimer Revisited. New York: Twayne Publishers, 1999. Visel, Robin. “Othering the Self: Nadine Gordimer’s Colonial Heroines.” Ariel 19.4 (1988): 33-42. Wagner, Kathrin. Rereading Nadine Gordimer. Indiana UP, 1994. Weinhouse, Linda. “The Paternal Gift of narration: Nadine Gordimer’s My Son’s Story.” The Journal of Commonwealth Literature. 29:2 (1993): 66-76. Woodward, Kathryn, ed. Identity and Difference. London: Open University, 1997. Yelin, Louise. From the Margins of Empire: Christina Stead, Doris Lessing, and Nadine Gordimer. Ithaca: Cornell U, 1998. Young, Robert J. C.. Colonial Desire: Hybridity in Theory, Culture and Race. London: Routledge, 1994. zh_TW
