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題名 <紐約三部曲>中走入迷宮的偵探
The Detective in the Maze of The New York Trilogy作者 黃筱茵
Sharon Huang, Hsiao-Yin貢獻者 陳超明
Chen, Chao-ming
黃筱茵
Sharon Huang, Hsiao-Yin關鍵詞 反偵探小說
保羅•奧斯特
德希達
波赫士
作者與讀者
後現代
anti-detective novel
Auster, Paul
Derrida, Jacques
Borges
the writer and the reader
postmodernity日期 2001 上傳時間 15-Apr-2016 15:58:50 (UTC+8) 摘要 保羅•奧斯特的〈紐約三部曲〉被歸類為「反偵探小說」（anti-detective novel）。在這三個故事裡，因緣際會背負了偵探角色的主角們，試圖還原事件的真相，卻個個受挫，甚至迷失在糾纏的線索與沈重的身份認同的遊戲中。他們像是一腳踏進了令人暈眩的泥沼，非但沒法用理智脫困，還愈陷愈深，隨著迷宮裡的音樂瘋狂起舞。
Labelled as an anti-detective novel, The New York Trilogy defies the traditional detective process and instead renders the experience for man to distill and to locate meaning as an agonizing one. The protagonists in The Trilogy undertake the roles of the detective, hoping to reveal a sole truth behind the entangled situation. Yet they are not only frustrated in disclosing meaning, but thrown into extreme bafflement. Their identities fall apart, wriggling in the maze built by spiral words, crossed names and the ongoing efforts to define the relations.參考文獻 Adams, Hazard, ed. Critical Theory Since Plato. Orlando: Harcourt Brace Jovanovich College Publishers, 1992. Aguirre, Manuel. “Paul Auster’s City of Glass, Jose Maria Conget’s Todas las mujeres and European postmodernism.” Neophilologus 82.2(1998): 169-80. Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction. London: Edward Arnold, 1990. Alford, Steven E. “Mirrors of Madness: Paul Auster’s The New York Trilogy.” Critique: Studies in Contemporary Fiction 37.1(1995): 17-33. Auster, Paul. Ground Work. London: Faber and Faber, 1990. ---. The Art of Hunger. New York: Sun & Moon Press, 1992. ---. In the Country of Last Things. New York: Penguin, 1987. ---. The Invention of Solitude. New York: Sun Press, 1982. ---. The New York Trilogy. London: Faber and Faber, 1987. Barker, Chris. Cultural Studies: Theory and Practice. London: Sage Publications, 2000. Barone, Dennis. “Auster’s memory.” The Review of Contemporary Fiction 14.1(1994): 32-34. ---, ed. Beyond the Red Notebook: Essays on Paul Auster. Philadelphia: U of Pennsylvania P, 1995. Bawer, Bruce. “Doubles and More Doubles.” The New Criterion 7.8(1989): 67-74. Baxter, Charles. “The Bureau of Missing Persons: Notes on Paul Auster`s Fiction.” The Review of Contemporary Fiction 14.1(1994):40-43. Birkerts, Sven. “Reality, Fiction, and In the Country of Last Things.” The Review of Contemporary Fiction 14.1(1994): 66-69. Borges, Jorge Luis. Labyrinths: Selected Stories and Other Writings. New York: New Directions, 1962. Brault, Pascale-Anne. “Translating the Impossible Debt: Paul Auster’s City of Glass.” Critique: Studies in Contemporary Fiction 39.3: 228-38. Caputo, John D., ed. Deconstruction in a Nutshell: A Conversation with Jacques Derrida. New York: Fordham UP, 1997. Caramello, Charles. Silverless Mirrors: Book, Self and Postmodern American Fiction. Gainesville: Florida State U Book: 1983. Christensen, Inger. The Meaning of Metafiction. Bergen: Universitetsforlaget, 1981. Creeley, Robert. “Austerities.” The Review of Contemporary Fiction 14.1(1994): 35-39. Derrida, Jacques. Of Grammatology. Baltimore and London: The Johns Hopkins UP, 1974. ---. Speech and Phenomena, and Other Essays on Hussrel’s Theory of Signs. Evanston: Northwestern UP, 1973. ---. Writing and Difference. Chicago: U of Chicago P, 1978. Dow, William. “Paul Auster’s The Invention of Solitude: Glimmers in a Reach to Authenticity.” Critique: Studies in Contemporary Fiction 39.3(1998): 272-81. Eagleton, Terry. Literary Theory: an Introduction. Oxford: Blackwell, 1983. Eakin, Paul John. Fictions in Autobiography: Studies in the Art of Self-Invention. Princeton: Princeton UP, 1985. Eco, Umberto. Six Walks in the Fictional Woods. Cambridge: Harvard UP, 1994. Federman, Raymond, ed. Surfiction: Fiction Now…and Tomorrow. Chicago: Swallow Press, 1975. Friend, Joshua. “Every Decoding is Another Encoding: Morris Zapp`s Poststructural Implications on Our Postmodern World.” English Language Notes 33.3(1996): 61-67. Furst, Lilian R. All is True: The Claims and Strategies of Realist Fiction. Durham and London: Duke UP, 1995. Gass, William H. The World Within the Word. New York: Basic Books, 1971. Hall, Stuart and Du Gay, Paul ed., Questions of Cultural Identity. London: Sage Publications, 1996. Holmes, Frederick M. “The Reader as Discoverer in David Lodge’s Small World.” Critique: Studies in Contemporary Fiction 32.1(1990): 47-57. Holquist, Michael. “Whodunit and Other Questions: Metaphysical Detective Stories in Post-War Fiction.” New Literary History 3(1971): 135-56. Huhn, Peter. “The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction.” Modern Fiction Studies 33(1987): 451-56. Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York and London: Routledge, 1988. Kirkegaard, Peter. “Cities, Signs, and Meaning in Walter Benjamin and Paul Auster, or: Never Sure of Any of It.” Orbis Litterarum 48.2-3((1993): 161-79. Lavender, William. “The Novel of Critical Engagement: Paul Auster’s City of Glass.” Contemporary Literature 34.2(1993): 219-39. Lewis, Barry. “The Strange Case of Paul Auster.” The Review of Contemporary Fiction 14.1(1994): 53-61. Little, William G. “Nothing to Go On: Paul Auster’s City of Glass.” Contemporary Literature38.1(1997): 133-63. Lodge, David. The Art of Fiction. New York: Penguin, 1992. Mahale, Brian. Constructing Postmodernism. London and New York: Routledge, 1992. ---. Postmodernist Fiction. New York and London: Methuen, 1987. Mcilroy, Brian. “Naming the Unnamable in Brian Moore’s I Am Mary Dunne.”Critique: Studies in Contemporary Fiction 30.2(1989): 85-94. Molly, Sylvia. Signs of Borges. Durham and London: Duke UP, 1994. Nealon, Jeffrey T. “Work of the Detective, Work of the Writer: Paul Auster`s City of Glass.” Modern Fiction Studies 42.1(1996): 91-110. Punday, Daniel. Temporary Landscapes: Postmodern Narrative, Deconstruction, and the Reinvention of Form. Diss. The Pennsylvania State U, 1995. Ann Arbor: UMI, 1995. 9532011. Rowen, Norma. “The Detective in Search of the Lost Tongue of Adam: Paul Auster`s City of Glass.” Critique: Studies in Contemporary Fiction 32.4(1991): 224-35. Russell, Alison. “Deconstructing The New York Trilogy: Paul Auster’s Anti-Detective Fiction.” Critique: Studies in Contemporary Fiction 31.2(1990): 71-83. Saltzman, Arthur. Designs of Darkness. Philadelphia: U of Pennsylvania P, 1990. Sartre, Jean-Paul. Nausea. New York: New Directions, 1964. Sarup, Madan. An Introductory Guide to Post-Structuralism and Postmodernism. Hemel Hempstead: Harvester Wheatsheaf, 1993. Segal, Alex. “Secrecy and the Gift: Paul Auster’s The Locked Room.”Critique: Studies in Contemporary Fiction 39.3(1998): 239-57. Spanos, William V. “The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination.” Repetitions: The Postmodern Occasion in Literature and Culture. Baton Rouge: Louisiana State UP, 1987. 13-50. Rubenstein, Roberta. “Doubling, Intertextuality, and the Postmodern Uncanny: Paul Auster’s New York Trilogy.” Lit: Literature Interpretation Theory 9.3(1998): 245-62. Thiher, Allen. Words in Reflection: Modern Language Theory and Postmodern Fiction. Chicago and London: The U of Chicago P, 1984. Tysh, Chris. “From One Mirror to Another: the Rhetoric of Disaffiliation in City of Glass.” The Review of Contemporary Fiction 14.1(1994): 46-52. Waugh, Patricia. Metafiction: The Theory and Practice of self-Conscious Fiction. London and New York: Methuen, 1984. ---, ed. Postmodernism: A Reader. New York: Edward Arnold, 1992. White, Curtis. “The Auster Instance: A Ficto-biography.” The Review of Contemporary Fiction 14.1(1994): 26-29. Zilcosky, John. “The Revenge of the Author: Paul Auster’s Challenge to Theory.” Critique: Studies in Contemporary Fiction 39.3(1998): 195-206. 描述 碩士
國立政治大學
英國語文學系資料來源 http://thesis.lib.nccu.edu.tw/record/#A2002001026 資料類型 thesis dc.contributor.advisor 陳超明 zh_TW dc.contributor.advisor Chen, Chao-ming en_US dc.contributor.author (Authors) 黃筱茵 zh_TW dc.contributor.author (Authors) Sharon Huang, Hsiao-Yin en_US dc.creator (作者) 黃筱茵 zh_TW dc.creator (作者) Sharon Huang, Hsiao-Yin en_US dc.date (日期) 2001 en_US dc.date.accessioned 15-Apr-2016 15:58:50 (UTC+8) - dc.date.available 15-Apr-2016 15:58:50 (UTC+8) - dc.date.issued (上傳時間) 15-Apr-2016 15:58:50 (UTC+8) - dc.identifier (Other Identifiers) A2002001026 en_US dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/84838 - dc.description (描述) 碩士 zh_TW dc.description (描述) 國立政治大學 zh_TW dc.description (描述) 英國語文學系 zh_TW dc.description.abstract (摘要) 保羅•奧斯特的〈紐約三部曲〉被歸類為「反偵探小說」（anti-detective novel）。在這三個故事裡，因緣際會背負了偵探角色的主角們，試圖還原事件的真相，卻個個受挫，甚至迷失在糾纏的線索與沈重的身份認同的遊戲中。他們像是一腳踏進了令人暈眩的泥沼，非但沒法用理智脫困，還愈陷愈深，隨著迷宮裡的音樂瘋狂起舞。 zh_TW dc.description.abstract (摘要) Labelled as an anti-detective novel, The New York Trilogy defies the traditional detective process and instead renders the experience for man to distill and to locate meaning as an agonizing one. The protagonists in The Trilogy undertake the roles of the detective, hoping to reveal a sole truth behind the entangled situation. Yet they are not only frustrated in disclosing meaning, but thrown into extreme bafflement. Their identities fall apart, wriggling in the maze built by spiral words, crossed names and the ongoing efforts to define the relations. en_US dc.description.tableofcontents 封面頁 證明書 Acknowledgements(致謝詞) Table of Contents(目錄) 摘要 Chapter I. Introduction Chapter II. To Represent the World in the Web of Uncertainties Chapter III. The Ambivalent Stance to Order and to Name the World Chapter IV. An Infinite Waltz between The Reader and The Writer Chapter V. Conclusion Bibliography zh_TW dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#A2002001026 en_US dc.subject (關鍵詞) 反偵探小說 zh_TW dc.subject (關鍵詞) 保羅•奧斯特 zh_TW dc.subject (關鍵詞) 德希達 zh_TW dc.subject (關鍵詞) 波赫士 zh_TW dc.subject (關鍵詞) 作者與讀者 zh_TW dc.subject (關鍵詞) 後現代 zh_TW dc.subject (關鍵詞) anti-detective novel en_US dc.subject (關鍵詞) Auster, Paul en_US dc.subject (關鍵詞) Derrida, Jacques en_US dc.subject (關鍵詞) Borges en_US dc.subject (關鍵詞) the writer and the reader en_US dc.subject (關鍵詞) postmodernity en_US dc.title (題名) <紐約三部曲>中走入迷宮的偵探 zh_TW dc.title (題名) The Detective in the Maze of The New York Trilogy en_US dc.type (資料類型) thesis en_US dc.relation.reference (參考文獻) Adams, Hazard, ed. Critical Theory Since Plato. Orlando: Harcourt Brace Jovanovich College Publishers, 1992. Aguirre, Manuel. “Paul Auster’s City of Glass, Jose Maria Conget’s Todas las mujeres and European postmodernism.” Neophilologus 82.2(1998): 169-80. Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction. London: Edward Arnold, 1990. Alford, Steven E. “Mirrors of Madness: Paul Auster’s The New York Trilogy.” Critique: Studies in Contemporary Fiction 37.1(1995): 17-33. Auster, Paul. Ground Work. London: Faber and Faber, 1990. ---. The Art of Hunger. New York: Sun & Moon Press, 1992. ---. In the Country of Last Things. New York: Penguin, 1987. ---. The Invention of Solitude. New York: Sun Press, 1982. ---. The New York Trilogy. London: Faber and Faber, 1987. Barker, Chris. Cultural Studies: Theory and Practice. London: Sage Publications, 2000. Barone, Dennis. “Auster’s memory.” The Review of Contemporary Fiction 14.1(1994): 32-34. ---, ed. Beyond the Red Notebook: Essays on Paul Auster. Philadelphia: U of Pennsylvania P, 1995. Bawer, Bruce. “Doubles and More Doubles.” The New Criterion 7.8(1989): 67-74. Baxter, Charles. “The Bureau of Missing Persons: Notes on Paul Auster`s Fiction.” The Review of Contemporary Fiction 14.1(1994):40-43. Birkerts, Sven. “Reality, Fiction, and In the Country of Last Things.” The Review of Contemporary Fiction 14.1(1994): 66-69. Borges, Jorge Luis. Labyrinths: Selected Stories and Other Writings. New York: New Directions, 1962. Brault, Pascale-Anne. “Translating the Impossible Debt: Paul Auster’s City of Glass.” Critique: Studies in Contemporary Fiction 39.3: 228-38. Caputo, John D., ed. Deconstruction in a Nutshell: A Conversation with Jacques Derrida. New York: Fordham UP, 1997. Caramello, Charles. Silverless Mirrors: Book, Self and Postmodern American Fiction. Gainesville: Florida State U Book: 1983. Christensen, Inger. The Meaning of Metafiction. Bergen: Universitetsforlaget, 1981. Creeley, Robert. “Austerities.” The Review of Contemporary Fiction 14.1(1994): 35-39. Derrida, Jacques. Of Grammatology. Baltimore and London: The Johns Hopkins UP, 1974. ---. Speech and Phenomena, and Other Essays on Hussrel’s Theory of Signs. Evanston: Northwestern UP, 1973. ---. Writing and Difference. Chicago: U of Chicago P, 1978. Dow, William. “Paul Auster’s The Invention of Solitude: Glimmers in a Reach to Authenticity.” Critique: Studies in Contemporary Fiction 39.3(1998): 272-81. Eagleton, Terry. Literary Theory: an Introduction. Oxford: Blackwell, 1983. Eakin, Paul John. Fictions in Autobiography: Studies in the Art of Self-Invention. Princeton: Princeton UP, 1985. Eco, Umberto. Six Walks in the Fictional Woods. Cambridge: Harvard UP, 1994. Federman, Raymond, ed. Surfiction: Fiction Now…and Tomorrow. Chicago: Swallow Press, 1975. Friend, Joshua. “Every Decoding is Another Encoding: Morris Zapp`s Poststructural Implications on Our Postmodern World.” English Language Notes 33.3(1996): 61-67. Furst, Lilian R. All is True: The Claims and Strategies of Realist Fiction. Durham and London: Duke UP, 1995. Gass, William H. The World Within the Word. New York: Basic Books, 1971. Hall, Stuart and Du Gay, Paul ed., Questions of Cultural Identity. London: Sage Publications, 1996. Holmes, Frederick M. “The Reader as Discoverer in David Lodge’s Small World.” Critique: Studies in Contemporary Fiction 32.1(1990): 47-57. Holquist, Michael. “Whodunit and Other Questions: Metaphysical Detective Stories in Post-War Fiction.” New Literary History 3(1971): 135-56. Huhn, Peter. “The Detective as Reader: Narrativity and Reading Concepts in Detective Fiction.” Modern Fiction Studies 33(1987): 451-56. Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. New York and London: Routledge, 1988. Kirkegaard, Peter. “Cities, Signs, and Meaning in Walter Benjamin and Paul Auster, or: Never Sure of Any of It.” Orbis Litterarum 48.2-3((1993): 161-79. Lavender, William. “The Novel of Critical Engagement: Paul Auster’s City of Glass.” Contemporary Literature 34.2(1993): 219-39. Lewis, Barry. “The Strange Case of Paul Auster.” The Review of Contemporary Fiction 14.1(1994): 53-61. Little, William G. “Nothing to Go On: Paul Auster’s City of Glass.” Contemporary Literature38.1(1997): 133-63. Lodge, David. The Art of Fiction. New York: Penguin, 1992. Mahale, Brian. Constructing Postmodernism. London and New York: Routledge, 1992. ---. Postmodernist Fiction. New York and London: Methuen, 1987. Mcilroy, Brian. “Naming the Unnamable in Brian Moore’s I Am Mary Dunne.”Critique: Studies in Contemporary Fiction 30.2(1989): 85-94. Molly, Sylvia. Signs of Borges. Durham and London: Duke UP, 1994. Nealon, Jeffrey T. “Work of the Detective, Work of the Writer: Paul Auster`s City of Glass.” Modern Fiction Studies 42.1(1996): 91-110. Punday, Daniel. Temporary Landscapes: Postmodern Narrative, Deconstruction, and the Reinvention of Form. Diss. The Pennsylvania State U, 1995. Ann Arbor: UMI, 1995. 9532011. Rowen, Norma. “The Detective in Search of the Lost Tongue of Adam: Paul Auster`s City of Glass.” Critique: Studies in Contemporary Fiction 32.4(1991): 224-35. Russell, Alison. “Deconstructing The New York Trilogy: Paul Auster’s Anti-Detective Fiction.” Critique: Studies in Contemporary Fiction 31.2(1990): 71-83. Saltzman, Arthur. Designs of Darkness. Philadelphia: U of Pennsylvania P, 1990. Sartre, Jean-Paul. Nausea. New York: New Directions, 1964. Sarup, Madan. An Introductory Guide to Post-Structuralism and Postmodernism. Hemel Hempstead: Harvester Wheatsheaf, 1993. Segal, Alex. “Secrecy and the Gift: Paul Auster’s The Locked Room.”Critique: Studies in Contemporary Fiction 39.3(1998): 239-57. Spanos, William V. “The Detective and the Boundary: Some Notes on the Postmodern Literary Imagination.” Repetitions: The Postmodern Occasion in Literature and Culture. Baton Rouge: Louisiana State UP, 1987. 13-50. Rubenstein, Roberta. “Doubling, Intertextuality, and the Postmodern Uncanny: Paul Auster’s New York Trilogy.” Lit: Literature Interpretation Theory 9.3(1998): 245-62. Thiher, Allen. Words in Reflection: Modern Language Theory and Postmodern Fiction. Chicago and London: The U of Chicago P, 1984. Tysh, Chris. “From One Mirror to Another: the Rhetoric of Disaffiliation in City of Glass.” The Review of Contemporary Fiction 14.1(1994): 46-52. Waugh, Patricia. Metafiction: The Theory and Practice of self-Conscious Fiction. London and New York: Methuen, 1984. ---, ed. Postmodernism: A Reader. New York: Edward Arnold, 1992. White, Curtis. “The Auster Instance: A Ficto-biography.” The Review of Contemporary Fiction 14.1(1994): 26-29. Zilcosky, John. “The Revenge of the Author: Paul Auster’s Challenge to Theory.” Critique: Studies in Contemporary Fiction 39.3(1998): 195-206. zh_TW
