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Title詩中音樂: 艾略特《四首四重奏》中的音樂形式
The Music of Poetry: Musical Forms in T. S. Eliot`s Four Quartets.
Creator蔡文傑
Tsai, Wen-chieh
Contributor楊麗敏
Li-min Yang
蔡文傑
Wen-chieh Tsai
Key Words艾略特
四首四重奏
曲式
Eliot, T. S.
Four Quartets
Musical Forms
Date1998
Date Issued20-Apr-2016 13:42:28 (UTC+8)
Summary國立政治大學英國語文學系碩士班
English Abstract
參考文獻 Selected Bibliography
     Alldritt, Keith. Eliot`s Four Quartets: Poetry as Chamber Music. London: Woburn Press, 1978.
     Bagchee, Shyamal, ed. T. S. Eliot: A Voice Descanting. London: Macmillan, 1990.
     Bebbington, W. G. "Four Quartets?" Essay in Criticism: A Quarterly Journal of Literary Criticism. 39:3 July (1989):
      234-41.
     Berard, Wayne Stephen. The Detail of the Pattern: Music and the Structural Analogy in T. S. Eliot`s Four Quartets. Diss.
      Rhode Island University, 1984. Ann Arbor: UMI, 1984. 8516668.
     Bergsten, Staffen. Time and Eternity: A Study in the Structure and Symbolism of T. S. Eliot`s Four Quartets. N. Y.:
      Humanities, 1973.
     Blackmur, R. P. "Unappeasable and Peregrine: Behaviour and the Four Quartets" Thought. 26 (1951): 50-76.
     Boaz, Mildred Meyer. "You Are the Music: Turning in to Eliot." Approaches to Teaching T. S. Eliot`s Poems and Plays.
      New York: Modern Language Association of America, 1988.
      - - -. T. S. Eliot and Music: A Study of the Development of Musical Structures in Selected Poems by T. S. Eliot and Music by Erik Satie, Igor Stravinsky, and Bela Bartok. Diss. Illinois at Urbana-Champaign University, 1977. Ann Arbor: UMI, 1977. 7803941.
     Bodelsen, C. A. T. S. Eliot`s Four Quartets: A Commentary. Copenhagen: Rosenkilde and Bagger, 1958.
     Brotman, D. Bosley. "T. S. Eliot: `The Music of Ideas.`" University of Toronto Quarterly. XVIII (1948): 20-29.
     Brown, Calvin S. Music and Literature: A Comparison of the Arts. Hanover: University Press of New England, 1948.
     Canary, Robert H. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.
     Cluck, Nancy A, ed. Literature and Music: Essays on Form. Utah: Provo, 1982.
     Cooper, John Xiros. "Music as Symbol and Structure in Pound`s Pisan Cantos and Eliot`s Four Quartets." Ezra Pound and
      Europe. Amsterdam; Atlanta, Ga.: Rodopi, 1993.
     - - -. T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.
     Dallas, Elizabeth S. "Canon Cancrizans and the Four Quartets." Comparative Literature. 17 (1965): 193-208.
     Edward, Lobb. Words in Time: New Essays on T. S. Eliot`s Four Quartets. Ann Arbor: University of Michigan Press, 1993.
     Eliot, T. S. The Complete Poems and Plays of T. S. Eliot. London: Faber and Faber, 1969.
     - - -. To Criticize the Critic and Other Writings. London: Faber and Faber, 1965.
     - - -. "London Letter." Dial 71.4 (1921): 252-55.
     - - -. On Poetry and Poets. London: Faber and Faber, 1957.
     - - -. Selected Essays. Third Enlarged Edition. London: Faber and Faber, 1951.
     - - -. The Use of Poetry and Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber and Faber,
      1967.
     Fletcher, John Gould. "Poems in Counterpoint." Poetry. 18 (1943): 44-8. Rpt. In T. S. Eliot: The Critical Heritage. Ed.
      Michael Grant. Vol. 2. London: Routledge & Kegan Paul, 1982.
     Flint, R. W. "The Four Quartets Reconsidered." Sewanee Review. 56 (1948): 69-81. Rpt. In T. S. Eliot: Four Quartets. Ed.
      Bernard Bergonzi. London: Macmillan, 1987, 107-18.
     Fussell, B. H. "Structural Methods in Four Quartets." A Journal of English Literary History.. Vol. 22 (1955): 212-41.
     Gardner, Helen. The Art of T. S. Eliot. London: Faber and Faber, 1969.
     - - -. The Composition of Four Quartets. New York: Oxford University Press, 1977.
     Gordon, Lyndall. Eliot`s New Life. Oxford: Oxford University Press, 1989.
     Holloway, John. "Eliot`s Four Quartets and Beethoven`s Last Quartets." New Essays on T. S. Eliot: the Fire and the Rose.
      Ed. Sena Vinod. Delhi: Oxford University Press, 1992.
     Howarth, Herbert. "Eliot, Beethoven and J. W. N. Sullivan." Comparative Literature. (1957): 322-32.
     Huxley, Aldous. Point Counter Point. New York: Modern Library, 1928.
     John of the Cross. Ascent to Mount Carmel. Trans. Allison Peers. Garden City: Image Books, 1970.
     Jones, Genesius M. Approach to the Purpose: A Study of the Poetry of T. S. Eliot. Westport, Connecticut: Greenwood
      Press, 1980.
     Kennedy, Michael. The Oxford Dictionary of Music. Oxford: Oxford University Press,1985.
     Kenner, Hugh. The Invisible Poet: T. S. Eliot. London: Methuen, 1965.
     Levy, J. "Synthesis of Antithesis in T. S. Eliot`s Poetry." Essays in Criticism, Vol. 2 (1952): 434-43.
     Loucks, James F. "Eliot`s Four Quartets: Dry Salvages, second movement." Explicator 50.2 (1992): 100-03.
     MacCallum, Reid. Imitation and Design and Other Essays. Ed. William Blissett. Toronto: University of Toronto Press,
      1953.
     Matthiessen, F. O. The Achievement of T. S. Eliot. New York: Oxford University Press, 1959.
     Moody, Anthony David. "Four Quartets: Music, Word, Meaning and Value." The Combridge Companion to T. S. Eliot.
      Cambridge, [England]: New York: Cambridge University Press, 1994.
     Nattiez, Jean-Jacques. Proust as Musician. Trans. Derrick Puffett. Cambridge: Cambridge University Press, 1989.
      Preston, Raymond. `Four Quartets` Rehearsed: A Commentary on T. S. Eliot`s Cycle of Poems. London: Sheed and Ward, 1946.
     Reibetanz, Julia Maniates. A Reading of Eliot`s Four Quartets. Ann Arbor: UMI Research Press, 1983.
     Rhoads, Kenneth Warren. The Musical Elements of T. S. Eliot`s Four Quartets. Diss. Michigan State University, 1969. Ann
      Arbor: UMI, 1969. 7009624.
     Richards, I. A. "The Music of Ideas." The Principle of Literary Criticism. 2nd. Ed., London (1926) 1949. Rpt. In T. S.
      Eliot: Four Quartets. Ed. Bernard Bergonzi. London: Macmillan, 1987, 66-70.
     Scher, Steven Paul. "Literature and Music." Interrelations of Literature. Ed. by Jean-Pierre Barricelli and Joseph Gibaldi,
      New York: Modern Language Association, 1982, 225-250.
     Sinha, Krishna Nandan. "Music." On Four Quartets of T. S. Eliot. Ilfracombe: Arthur H. Stockwell, 1963.
     Spencer, Peter and Peter M. Temko. A Practical Approach to the Study of Form in Music. Englewood Cliffs, New Jersey:
      Prentice Hall, 1988.
     Spender, Stephen. T. S. Eliot. New York: Penguin, 1964.
     Spring, Glenn and Jere Hutcheson. Musical Form and Analysis. Madison, Wisconsin: Brown & Benchmark, 1995.
     Stead, C. K. The New Poetic: Yeats to Eliot. London: Penguin, 1964.
     Stein, Leon. Structure and Style: The Study and Analysis of Musical Form. Florida: Summy-Birchard Music, 1979.
     Stoeving, Paul. The Violin, Cello and String Quartet. New York: The Caxton Institute, 1927.
     Stravinsky, Igor and Robert Craft. Themes and Conclusions. London: Faber and Faber, 1972.
     Thormahlen, Marianne. " `What is the wind doing?`: Winds and Their Functions in Eliot`s Poetry." In T. S. Eliot: A Voice
      Descanting ed. Shyamal Bagchee, 122-48.
     Tovey, Donald Francis. Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944.
     Verheul, K. "Music, Meaning and Poetry in Four Quartets by T. S. Eliot." Lingua: International Review of General
      Linguistics. 16 (1966): 279-91.
     Walton, Charles W. Basic Forms in Music. New York: Alfred Pub. Co., 1974.
     Wellek, Rene and AustinWarren. "Literature and Art." Theory of Literature. Third Edition. New York: Harcourt Brace
      Jovanovich, 1977.
     Winter, Robert and Robert Martin, ed. The Beethoven Quartet Companion. Berkeley : University of California Press, 1994.
     Ulrich, Homer. Chamber Music. Second Edition. New York: Columbia University Press, 1966.
     Unger, Leonard. Eliot`s Compound Ghost: Influence and Confluence. University Park: The Pennsylvania State University
      Press, 1981.
Description碩士
國立政治大學
英國語文學系
85551006
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002001472
Typethesis
dc.contributor.advisor 楊麗敏zh_TW
dc.contributor.advisor Li-min Yangen_US
dc.contributor.author (Authors) 蔡文傑zh_TW
dc.contributor.author (Authors) Wen-chieh Tsaien_US
dc.creator (作者) 蔡文傑zh_TW
dc.creator (作者) Tsai, Wen-chiehen_US
dc.date (日期) 1998en_US
dc.date.accessioned 20-Apr-2016 13:42:28 (UTC+8)-
dc.date.available 20-Apr-2016 13:42:28 (UTC+8)-
dc.date.issued (上傳時間) 20-Apr-2016 13:42:28 (UTC+8)-
dc.identifier (Other Identifiers) B2002001472en_US
dc.identifier.uri (URI) http://nccur.lib.nccu.edu.tw/handle/140.119/85628-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description (描述) 85551006zh_TW
dc.description.abstract (摘要) 國立政治大學英國語文學系碩士班zh_TW
dc.description.abstract (摘要) English Abstracten_US
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002001472en_US
dc.subject (關鍵詞) 艾略特zh_TW
dc.subject (關鍵詞) 四首四重奏zh_TW
dc.subject (關鍵詞) 曲式zh_TW
dc.subject (關鍵詞) Eliot, T. S.en_US
dc.subject (關鍵詞) Four Quartetsen_US
dc.subject (關鍵詞) Musical Formsen_US
dc.title (題名) 詩中音樂: 艾略特《四首四重奏》中的音樂形式zh_TW
dc.title (題名) The Music of Poetry: Musical Forms in T. S. Eliot`s Four Quartets.en_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Selected Bibliography
     Alldritt, Keith. Eliot`s Four Quartets: Poetry as Chamber Music. London: Woburn Press, 1978.
     Bagchee, Shyamal, ed. T. S. Eliot: A Voice Descanting. London: Macmillan, 1990.
     Bebbington, W. G. "Four Quartets?" Essay in Criticism: A Quarterly Journal of Literary Criticism. 39:3 July (1989):
      234-41.
     Berard, Wayne Stephen. The Detail of the Pattern: Music and the Structural Analogy in T. S. Eliot`s Four Quartets. Diss.
      Rhode Island University, 1984. Ann Arbor: UMI, 1984. 8516668.
     Bergsten, Staffen. Time and Eternity: A Study in the Structure and Symbolism of T. S. Eliot`s Four Quartets. N. Y.:
      Humanities, 1973.
     Blackmur, R. P. "Unappeasable and Peregrine: Behaviour and the Four Quartets" Thought. 26 (1951): 50-76.
     Boaz, Mildred Meyer. "You Are the Music: Turning in to Eliot." Approaches to Teaching T. S. Eliot`s Poems and Plays.
      New York: Modern Language Association of America, 1988.
      - - -. T. S. Eliot and Music: A Study of the Development of Musical Structures in Selected Poems by T. S. Eliot and Music by Erik Satie, Igor Stravinsky, and Bela Bartok. Diss. Illinois at Urbana-Champaign University, 1977. Ann Arbor: UMI, 1977. 7803941.
     Bodelsen, C. A. T. S. Eliot`s Four Quartets: A Commentary. Copenhagen: Rosenkilde and Bagger, 1958.
     Brotman, D. Bosley. "T. S. Eliot: `The Music of Ideas.`" University of Toronto Quarterly. XVIII (1948): 20-29.
     Brown, Calvin S. Music and Literature: A Comparison of the Arts. Hanover: University Press of New England, 1948.
     Canary, Robert H. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.
     Cluck, Nancy A, ed. Literature and Music: Essays on Form. Utah: Provo, 1982.
     Cooper, John Xiros. "Music as Symbol and Structure in Pound`s Pisan Cantos and Eliot`s Four Quartets." Ezra Pound and
      Europe. Amsterdam; Atlanta, Ga.: Rodopi, 1993.
     - - -. T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.
     Dallas, Elizabeth S. "Canon Cancrizans and the Four Quartets." Comparative Literature. 17 (1965): 193-208.
     Edward, Lobb. Words in Time: New Essays on T. S. Eliot`s Four Quartets. Ann Arbor: University of Michigan Press, 1993.
     Eliot, T. S. The Complete Poems and Plays of T. S. Eliot. London: Faber and Faber, 1969.
     - - -. To Criticize the Critic and Other Writings. London: Faber and Faber, 1965.
     - - -. "London Letter." Dial 71.4 (1921): 252-55.
     - - -. On Poetry and Poets. London: Faber and Faber, 1957.
     - - -. Selected Essays. Third Enlarged Edition. London: Faber and Faber, 1951.
     - - -. The Use of Poetry and Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber and Faber,
      1967.
     Fletcher, John Gould. "Poems in Counterpoint." Poetry. 18 (1943): 44-8. Rpt. In T. S. Eliot: The Critical Heritage. Ed.
      Michael Grant. Vol. 2. London: Routledge & Kegan Paul, 1982.
     Flint, R. W. "The Four Quartets Reconsidered." Sewanee Review. 56 (1948): 69-81. Rpt. In T. S. Eliot: Four Quartets. Ed.
      Bernard Bergonzi. London: Macmillan, 1987, 107-18.
     Fussell, B. H. "Structural Methods in Four Quartets." A Journal of English Literary History.. Vol. 22 (1955): 212-41.
     Gardner, Helen. The Art of T. S. Eliot. London: Faber and Faber, 1969.
     - - -. The Composition of Four Quartets. New York: Oxford University Press, 1977.
     Gordon, Lyndall. Eliot`s New Life. Oxford: Oxford University Press, 1989.
     Holloway, John. "Eliot`s Four Quartets and Beethoven`s Last Quartets." New Essays on T. S. Eliot: the Fire and the Rose.
      Ed. Sena Vinod. Delhi: Oxford University Press, 1992.
     Howarth, Herbert. "Eliot, Beethoven and J. W. N. Sullivan." Comparative Literature. (1957): 322-32.
     Huxley, Aldous. Point Counter Point. New York: Modern Library, 1928.
     John of the Cross. Ascent to Mount Carmel. Trans. Allison Peers. Garden City: Image Books, 1970.
     Jones, Genesius M. Approach to the Purpose: A Study of the Poetry of T. S. Eliot. Westport, Connecticut: Greenwood
      Press, 1980.
     Kennedy, Michael. The Oxford Dictionary of Music. Oxford: Oxford University Press,1985.
     Kenner, Hugh. The Invisible Poet: T. S. Eliot. London: Methuen, 1965.
     Levy, J. "Synthesis of Antithesis in T. S. Eliot`s Poetry." Essays in Criticism, Vol. 2 (1952): 434-43.
     Loucks, James F. "Eliot`s Four Quartets: Dry Salvages, second movement." Explicator 50.2 (1992): 100-03.
     MacCallum, Reid. Imitation and Design and Other Essays. Ed. William Blissett. Toronto: University of Toronto Press,
      1953.
     Matthiessen, F. O. The Achievement of T. S. Eliot. New York: Oxford University Press, 1959.
     Moody, Anthony David. "Four Quartets: Music, Word, Meaning and Value." The Combridge Companion to T. S. Eliot.
      Cambridge, [England]: New York: Cambridge University Press, 1994.
     Nattiez, Jean-Jacques. Proust as Musician. Trans. Derrick Puffett. Cambridge: Cambridge University Press, 1989.
      Preston, Raymond. `Four Quartets` Rehearsed: A Commentary on T. S. Eliot`s Cycle of Poems. London: Sheed and Ward, 1946.
     Reibetanz, Julia Maniates. A Reading of Eliot`s Four Quartets. Ann Arbor: UMI Research Press, 1983.
     Rhoads, Kenneth Warren. The Musical Elements of T. S. Eliot`s Four Quartets. Diss. Michigan State University, 1969. Ann
      Arbor: UMI, 1969. 7009624.
     Richards, I. A. "The Music of Ideas." The Principle of Literary Criticism. 2nd. Ed., London (1926) 1949. Rpt. In T. S.
      Eliot: Four Quartets. Ed. Bernard Bergonzi. London: Macmillan, 1987, 66-70.
     Scher, Steven Paul. "Literature and Music." Interrelations of Literature. Ed. by Jean-Pierre Barricelli and Joseph Gibaldi,
      New York: Modern Language Association, 1982, 225-250.
     Sinha, Krishna Nandan. "Music." On Four Quartets of T. S. Eliot. Ilfracombe: Arthur H. Stockwell, 1963.
     Spencer, Peter and Peter M. Temko. A Practical Approach to the Study of Form in Music. Englewood Cliffs, New Jersey:
      Prentice Hall, 1988.
     Spender, Stephen. T. S. Eliot. New York: Penguin, 1964.
     Spring, Glenn and Jere Hutcheson. Musical Form and Analysis. Madison, Wisconsin: Brown & Benchmark, 1995.
     Stead, C. K. The New Poetic: Yeats to Eliot. London: Penguin, 1964.
     Stein, Leon. Structure and Style: The Study and Analysis of Musical Form. Florida: Summy-Birchard Music, 1979.
     Stoeving, Paul. The Violin, Cello and String Quartet. New York: The Caxton Institute, 1927.
     Stravinsky, Igor and Robert Craft. Themes and Conclusions. London: Faber and Faber, 1972.
     Thormahlen, Marianne. " `What is the wind doing?`: Winds and Their Functions in Eliot`s Poetry." In T. S. Eliot: A Voice
      Descanting ed. Shyamal Bagchee, 122-48.
     Tovey, Donald Francis. Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944.
     Verheul, K. "Music, Meaning and Poetry in Four Quartets by T. S. Eliot." Lingua: International Review of General
      Linguistics. 16 (1966): 279-91.
     Walton, Charles W. Basic Forms in Music. New York: Alfred Pub. Co., 1974.
     Wellek, Rene and AustinWarren. "Literature and Art." Theory of Literature. Third Edition. New York: Harcourt Brace
      Jovanovich, 1977.
     Winter, Robert and Robert Martin, ed. The Beethoven Quartet Companion. Berkeley : University of California Press, 1994.
     Ulrich, Homer. Chamber Music. Second Edition. New York: Columbia University Press, 1966.
     Unger, Leonard. Eliot`s Compound Ghost: Influence and Confluence. University Park: The Pennsylvania State University
      Press, 1981.		zh_TW