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題名 詩中音樂: 艾略特《四首四重奏》中的音樂形式
The Music of Poetry: Musical Forms in T. S. Eliot`s Four Quartets.
作者 蔡文傑
Tsai, Wen-chieh
貢獻者 楊麗敏
Li-min Yang
蔡文傑
Wen-chieh Tsai
關鍵詞 艾略特
四首四重奏
曲式
Eliot, T. S.
Four Quartets
Musical Forms
日期 1998
上傳時間 20-Apr-2016 13:42:28 (UTC+8)
摘要 國立政治大學英國語文學系碩士班
English Abstract
參考文獻 Selected Bibliography\r\nAlldritt, Keith. Eliot`s Four Quartets: Poetry as Chamber Music. London: Woburn Press, 1978.\r\nBagchee, Shyamal, ed. T. S. Eliot: A Voice Descanting. London: Macmillan, 1990.\r\nBebbington, W. G. \"Four Quartets?\" Essay in Criticism: A Quarterly Journal of Literary Criticism. 39:3 July (1989):\r\n 234-41.\r\nBerard, Wayne Stephen. The Detail of the Pattern: Music and the Structural Analogy in T. S. Eliot`s Four Quartets. Diss.\r\n Rhode Island University, 1984. Ann Arbor: UMI, 1984. 8516668.\r\nBergsten, Staffen. Time and Eternity: A Study in the Structure and Symbolism of T. S. Eliot`s Four Quartets. N. Y.:\r\n Humanities, 1973.\r\nBlackmur, R. P. \"Unappeasable and Peregrine: Behaviour and the Four Quartets\" Thought. 26 (1951): 50-76.\r\nBoaz, Mildred Meyer. \"You Are the Music: Turning in to Eliot.\" Approaches to Teaching T. S. Eliot`s Poems and Plays.\r\n New York: Modern Language Association of America, 1988.\r\n - - -. T. S. Eliot and Music: A Study of the Development of Musical Structures in Selected Poems by T. S. Eliot and Music by Erik Satie, Igor Stravinsky, and Bela Bartok. Diss. Illinois at Urbana-Champaign University, 1977. Ann Arbor: UMI, 1977. 7803941.\r\nBodelsen, C. A. T. S. Eliot`s Four Quartets: A Commentary. Copenhagen: Rosenkilde and Bagger, 1958.\r\nBrotman, D. Bosley. \"T. S. Eliot: `The Music of Ideas.`\" University of Toronto Quarterly. XVIII (1948): 20-29.\r\nBrown, Calvin S. Music and Literature: A Comparison of the Arts. Hanover: University Press of New England, 1948.\r\nCanary, Robert H. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.\r\nCluck, Nancy A, ed. Literature and Music: Essays on Form. Utah: Provo, 1982.\r\nCooper, John Xiros. \"Music as Symbol and Structure in Pound`s Pisan Cantos and Eliot`s Four Quartets.\" Ezra Pound and\r\n Europe. Amsterdam; Atlanta, Ga.: Rodopi, 1993.\r\n- - -. T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.\r\nDallas, Elizabeth S. \"Canon Cancrizans and the Four Quartets.\" Comparative Literature. 17 (1965): 193-208.\r\nEdward, Lobb. Words in Time: New Essays on T. S. Eliot`s Four Quartets. Ann Arbor: University of Michigan Press, 1993.\r\nEliot, T. S. The Complete Poems and Plays of T. S. Eliot. London: Faber and Faber, 1969.\r\n- - -. To Criticize the Critic and Other Writings. London: Faber and Faber, 1965.\r\n- - -. \"London Letter.\" Dial 71.4 (1921): 252-55.\r\n- - -. On Poetry and Poets. London: Faber and Faber, 1957.\r\n- - -. Selected Essays. Third Enlarged Edition. London: Faber and Faber, 1951.\r\n- - -. The Use of Poetry and Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber and Faber,\r\n 1967.\r\nFletcher, John Gould. \"Poems in Counterpoint.\" Poetry. 18 (1943): 44-8. Rpt. In T. S. Eliot: The Critical Heritage. Ed.\r\n Michael Grant. Vol. 2. London: Routledge & Kegan Paul, 1982.\r\nFlint, R. W. \"The Four Quartets Reconsidered.\" Sewanee Review. 56 (1948): 69-81. Rpt. In T. S. Eliot: Four Quartets. Ed.\r\n Bernard Bergonzi. London: Macmillan, 1987, 107-18.\r\nFussell, B. H. \"Structural Methods in Four Quartets.\" A Journal of English Literary History.. Vol. 22 (1955): 212-41.\r\nGardner, Helen. The Art of T. S. Eliot. London: Faber and Faber, 1969.\r\n- - -. The Composition of Four Quartets. New York: Oxford University Press, 1977.\r\nGordon, Lyndall. Eliot`s New Life. Oxford: Oxford University Press, 1989.\r\nHolloway, John. \"Eliot`s Four Quartets and Beethoven`s Last Quartets.\" New Essays on T. S. Eliot: the Fire and the Rose.\r\n Ed. Sena Vinod. Delhi: Oxford University Press, 1992.\r\nHowarth, Herbert. \"Eliot, Beethoven and J. W. N. Sullivan.\" Comparative Literature. (1957): 322-32.\r\nHuxley, Aldous. Point Counter Point. New York: Modern Library, 1928.\r\nJohn of the Cross. Ascent to Mount Carmel. Trans. Allison Peers. Garden City: Image Books, 1970.\r\nJones, Genesius M. Approach to the Purpose: A Study of the Poetry of T. S. Eliot. Westport, Connecticut: Greenwood\r\n Press, 1980.\r\nKennedy, Michael. The Oxford Dictionary of Music. Oxford: Oxford University Press,1985.\r\nKenner, Hugh. The Invisible Poet: T. S. Eliot. London: Methuen, 1965.\r\nLevy, J. \"Synthesis of Antithesis in T. S. Eliot`s Poetry.\" Essays in Criticism, Vol. 2 (1952): 434-43.\r\nLoucks, James F. \"Eliot`s Four Quartets: Dry Salvages, second movement.\" Explicator 50.2 (1992): 100-03.\r\nMacCallum, Reid. Imitation and Design and Other Essays. Ed. William Blissett. Toronto: University of Toronto Press,\r\n 1953.\r\nMatthiessen, F. O. The Achievement of T. S. Eliot. New York: Oxford University Press, 1959.\r\nMoody, Anthony David. \"Four Quartets: Music, Word, Meaning and Value.\" The Combridge Companion to T. S. Eliot.\r\n Cambridge, [England]: New York: Cambridge University Press, 1994.\r\nNattiez, Jean-Jacques. Proust as Musician. Trans. Derrick Puffett. Cambridge: Cambridge University Press, 1989.\r\n Preston, Raymond. `Four Quartets` Rehearsed: A Commentary on T. S. Eliot`s Cycle of Poems. London: Sheed and Ward, 1946.\r\nReibetanz, Julia Maniates. A Reading of Eliot`s Four Quartets. Ann Arbor: UMI Research Press, 1983.\r\nRhoads, Kenneth Warren. The Musical Elements of T. S. Eliot`s Four Quartets. Diss. Michigan State University, 1969. Ann\r\n Arbor: UMI, 1969. 7009624.\r\nRichards, I. A. \"The Music of Ideas.\" The Principle of Literary Criticism. 2nd. Ed., London (1926) 1949. Rpt. In T. S.\r\n Eliot: Four Quartets. Ed. Bernard Bergonzi. London: Macmillan, 1987, 66-70.\r\nScher, Steven Paul. \"Literature and Music.\" Interrelations of Literature. Ed. by Jean-Pierre Barricelli and Joseph Gibaldi,\r\n New York: Modern Language Association, 1982, 225-250.\r\nSinha, Krishna Nandan. \"Music.\" On Four Quartets of T. S. Eliot. Ilfracombe: Arthur H. Stockwell, 1963.\r\nSpencer, Peter and Peter M. Temko. A Practical Approach to the Study of Form in Music. Englewood Cliffs, New Jersey:\r\n Prentice Hall, 1988.\r\nSpender, Stephen. T. S. Eliot. New York: Penguin, 1964.\r\nSpring, Glenn and Jere Hutcheson. Musical Form and Analysis. Madison, Wisconsin: Brown & Benchmark, 1995.\r\nStead, C. K. The New Poetic: Yeats to Eliot. London: Penguin, 1964.\r\nStein, Leon. Structure and Style: The Study and Analysis of Musical Form. Florida: Summy-Birchard Music, 1979.\r\nStoeving, Paul. The Violin, Cello and String Quartet. New York: The Caxton Institute, 1927.\r\nStravinsky, Igor and Robert Craft. Themes and Conclusions. London: Faber and Faber, 1972.\r\nThormahlen, Marianne. \" `What is the wind doing?`: Winds and Their Functions in Eliot`s Poetry.\" In T. S. Eliot: A Voice\r\n Descanting ed. Shyamal Bagchee, 122-48.\r\nTovey, Donald Francis. Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944.\r\nVerheul, K. \"Music, Meaning and Poetry in Four Quartets by T. S. Eliot.\" Lingua: International Review of General\r\n Linguistics. 16 (1966): 279-91.\r\nWalton, Charles W. Basic Forms in Music. New York: Alfred Pub. Co., 1974.\r\nWellek, Rene and AustinWarren. \"Literature and Art.\" Theory of Literature. Third Edition. New York: Harcourt Brace\r\n Jovanovich, 1977.\r\nWinter, Robert and Robert Martin, ed. The Beethoven Quartet Companion. Berkeley : University of California Press, 1994.\r\nUlrich, Homer. Chamber Music. Second Edition. New York: Columbia University Press, 1966.\r\nUnger, Leonard. Eliot`s Compound Ghost: Influence and Confluence. University Park: The Pennsylvania State University\r\n Press, 1981.
描述 碩士
國立政治大學
英國語文學系
85551006
資料來源 http://thesis.lib.nccu.edu.tw/record/#B2002001472
資料類型 thesis
dc.contributor.advisor 楊麗敏zh_TW
dc.contributor.advisor Li-min Yangen_US
dc.contributor.author (Authors) 蔡文傑zh_TW
dc.contributor.author (Authors) Wen-chieh Tsaien_US
dc.creator (作者) 蔡文傑zh_TW
dc.creator (作者) Tsai, Wen-chiehen_US
dc.date (日期) 1998en_US
dc.date.accessioned 20-Apr-2016 13:42:28 (UTC+8)-
dc.date.available 20-Apr-2016 13:42:28 (UTC+8)-
dc.date.issued (上傳時間) 20-Apr-2016 13:42:28 (UTC+8)-
dc.identifier (Other Identifiers) B2002001472en_US
dc.identifier.uri (URI) https://ah.lib.nccu.edu.tw/item?item_id=95680-
dc.description (描述) 碩士zh_TW
dc.description (描述) 國立政治大學zh_TW
dc.description (描述) 英國語文學系zh_TW
dc.description (描述) 85551006zh_TW
dc.description.abstract (摘要) 國立政治大學英國語文學系碩士班zh_TW
dc.description.abstract (摘要) English Abstracten_US
dc.source.uri (資料來源) http://thesis.lib.nccu.edu.tw/record/#B2002001472en_US
dc.subject (關鍵詞) 艾略特zh_TW
dc.subject (關鍵詞) 四首四重奏zh_TW
dc.subject (關鍵詞) 曲式zh_TW
dc.subject (關鍵詞) Eliot, T. S.en_US
dc.subject (關鍵詞) Four Quartetsen_US
dc.subject (關鍵詞) Musical Formsen_US
dc.title (題名) 詩中音樂: 艾略特《四首四重奏》中的音樂形式zh_TW
dc.title (題名) The Music of Poetry: Musical Forms in T. S. Eliot`s Four Quartets.en_US
dc.type (資料類型) thesisen_US
dc.relation.reference (參考文獻) Selected Bibliography\r\nAlldritt, Keith. Eliot`s Four Quartets: Poetry as Chamber Music. London: Woburn Press, 1978.\r\nBagchee, Shyamal, ed. T. S. Eliot: A Voice Descanting. London: Macmillan, 1990.\r\nBebbington, W. G. \"Four Quartets?\" Essay in Criticism: A Quarterly Journal of Literary Criticism. 39:3 July (1989):\r\n 234-41.\r\nBerard, Wayne Stephen. The Detail of the Pattern: Music and the Structural Analogy in T. S. Eliot`s Four Quartets. Diss.\r\n Rhode Island University, 1984. Ann Arbor: UMI, 1984. 8516668.\r\nBergsten, Staffen. Time and Eternity: A Study in the Structure and Symbolism of T. S. Eliot`s Four Quartets. N. Y.:\r\n Humanities, 1973.\r\nBlackmur, R. P. \"Unappeasable and Peregrine: Behaviour and the Four Quartets\" Thought. 26 (1951): 50-76.\r\nBoaz, Mildred Meyer. \"You Are the Music: Turning in to Eliot.\" Approaches to Teaching T. S. Eliot`s Poems and Plays.\r\n New York: Modern Language Association of America, 1988.\r\n - - -. T. S. Eliot and Music: A Study of the Development of Musical Structures in Selected Poems by T. S. Eliot and Music by Erik Satie, Igor Stravinsky, and Bela Bartok. Diss. Illinois at Urbana-Champaign University, 1977. Ann Arbor: UMI, 1977. 7803941.\r\nBodelsen, C. A. T. S. Eliot`s Four Quartets: A Commentary. Copenhagen: Rosenkilde and Bagger, 1958.\r\nBrotman, D. Bosley. \"T. S. Eliot: `The Music of Ideas.`\" University of Toronto Quarterly. XVIII (1948): 20-29.\r\nBrown, Calvin S. Music and Literature: A Comparison of the Arts. Hanover: University Press of New England, 1948.\r\nCanary, Robert H. T. S. Eliot: The Poet and His Critics. Chicago: American Library Association, 1982.\r\nCluck, Nancy A, ed. Literature and Music: Essays on Form. Utah: Provo, 1982.\r\nCooper, John Xiros. \"Music as Symbol and Structure in Pound`s Pisan Cantos and Eliot`s Four Quartets.\" Ezra Pound and\r\n Europe. Amsterdam; Atlanta, Ga.: Rodopi, 1993.\r\n- - -. T. S. Eliot and the Ideology of Four Quartets. Cambridge: Cambridge University Press, 1995.\r\nDallas, Elizabeth S. \"Canon Cancrizans and the Four Quartets.\" Comparative Literature. 17 (1965): 193-208.\r\nEdward, Lobb. Words in Time: New Essays on T. S. Eliot`s Four Quartets. Ann Arbor: University of Michigan Press, 1993.\r\nEliot, T. S. The Complete Poems and Plays of T. S. Eliot. London: Faber and Faber, 1969.\r\n- - -. To Criticize the Critic and Other Writings. London: Faber and Faber, 1965.\r\n- - -. \"London Letter.\" Dial 71.4 (1921): 252-55.\r\n- - -. On Poetry and Poets. London: Faber and Faber, 1957.\r\n- - -. Selected Essays. Third Enlarged Edition. London: Faber and Faber, 1951.\r\n- - -. The Use of Poetry and Criticism: Studies in the Relation of Criticism to Poetry in England. London: Faber and Faber,\r\n 1967.\r\nFletcher, John Gould. \"Poems in Counterpoint.\" Poetry. 18 (1943): 44-8. Rpt. In T. S. Eliot: The Critical Heritage. Ed.\r\n Michael Grant. Vol. 2. London: Routledge & Kegan Paul, 1982.\r\nFlint, R. W. \"The Four Quartets Reconsidered.\" Sewanee Review. 56 (1948): 69-81. Rpt. In T. S. Eliot: Four Quartets. Ed.\r\n Bernard Bergonzi. London: Macmillan, 1987, 107-18.\r\nFussell, B. H. \"Structural Methods in Four Quartets.\" A Journal of English Literary History.. Vol. 22 (1955): 212-41.\r\nGardner, Helen. The Art of T. S. Eliot. London: Faber and Faber, 1969.\r\n- - -. The Composition of Four Quartets. New York: Oxford University Press, 1977.\r\nGordon, Lyndall. Eliot`s New Life. Oxford: Oxford University Press, 1989.\r\nHolloway, John. \"Eliot`s Four Quartets and Beethoven`s Last Quartets.\" New Essays on T. S. Eliot: the Fire and the Rose.\r\n Ed. Sena Vinod. Delhi: Oxford University Press, 1992.\r\nHowarth, Herbert. \"Eliot, Beethoven and J. W. N. Sullivan.\" Comparative Literature. (1957): 322-32.\r\nHuxley, Aldous. Point Counter Point. New York: Modern Library, 1928.\r\nJohn of the Cross. Ascent to Mount Carmel. Trans. Allison Peers. Garden City: Image Books, 1970.\r\nJones, Genesius M. Approach to the Purpose: A Study of the Poetry of T. S. Eliot. Westport, Connecticut: Greenwood\r\n Press, 1980.\r\nKennedy, Michael. The Oxford Dictionary of Music. Oxford: Oxford University Press,1985.\r\nKenner, Hugh. The Invisible Poet: T. S. Eliot. London: Methuen, 1965.\r\nLevy, J. \"Synthesis of Antithesis in T. S. Eliot`s Poetry.\" Essays in Criticism, Vol. 2 (1952): 434-43.\r\nLoucks, James F. \"Eliot`s Four Quartets: Dry Salvages, second movement.\" Explicator 50.2 (1992): 100-03.\r\nMacCallum, Reid. Imitation and Design and Other Essays. Ed. William Blissett. Toronto: University of Toronto Press,\r\n 1953.\r\nMatthiessen, F. O. The Achievement of T. S. Eliot. New York: Oxford University Press, 1959.\r\nMoody, Anthony David. \"Four Quartets: Music, Word, Meaning and Value.\" The Combridge Companion to T. S. Eliot.\r\n Cambridge, [England]: New York: Cambridge University Press, 1994.\r\nNattiez, Jean-Jacques. Proust as Musician. Trans. Derrick Puffett. Cambridge: Cambridge University Press, 1989.\r\n Preston, Raymond. `Four Quartets` Rehearsed: A Commentary on T. S. Eliot`s Cycle of Poems. London: Sheed and Ward, 1946.\r\nReibetanz, Julia Maniates. A Reading of Eliot`s Four Quartets. Ann Arbor: UMI Research Press, 1983.\r\nRhoads, Kenneth Warren. The Musical Elements of T. S. Eliot`s Four Quartets. Diss. Michigan State University, 1969. Ann\r\n Arbor: UMI, 1969. 7009624.\r\nRichards, I. A. \"The Music of Ideas.\" The Principle of Literary Criticism. 2nd. Ed., London (1926) 1949. Rpt. In T. S.\r\n Eliot: Four Quartets. Ed. Bernard Bergonzi. London: Macmillan, 1987, 66-70.\r\nScher, Steven Paul. \"Literature and Music.\" Interrelations of Literature. Ed. by Jean-Pierre Barricelli and Joseph Gibaldi,\r\n New York: Modern Language Association, 1982, 225-250.\r\nSinha, Krishna Nandan. \"Music.\" On Four Quartets of T. S. Eliot. Ilfracombe: Arthur H. Stockwell, 1963.\r\nSpencer, Peter and Peter M. Temko. A Practical Approach to the Study of Form in Music. Englewood Cliffs, New Jersey:\r\n Prentice Hall, 1988.\r\nSpender, Stephen. T. S. Eliot. New York: Penguin, 1964.\r\nSpring, Glenn and Jere Hutcheson. Musical Form and Analysis. Madison, Wisconsin: Brown & Benchmark, 1995.\r\nStead, C. K. The New Poetic: Yeats to Eliot. London: Penguin, 1964.\r\nStein, Leon. Structure and Style: The Study and Analysis of Musical Form. Florida: Summy-Birchard Music, 1979.\r\nStoeving, Paul. The Violin, Cello and String Quartet. New York: The Caxton Institute, 1927.\r\nStravinsky, Igor and Robert Craft. Themes and Conclusions. London: Faber and Faber, 1972.\r\nThormahlen, Marianne. \" `What is the wind doing?`: Winds and Their Functions in Eliot`s Poetry.\" In T. S. Eliot: A Voice\r\n Descanting ed. Shyamal Bagchee, 122-48.\r\nTovey, Donald Francis. Essays in Musical Analysis: Chamber Music. London: Oxford University Press, 1944.\r\nVerheul, K. \"Music, Meaning and Poetry in Four Quartets by T. S. Eliot.\" Lingua: International Review of General\r\n Linguistics. 16 (1966): 279-91.\r\nWalton, Charles W. Basic Forms in Music. New York: Alfred Pub. Co., 1974.\r\nWellek, Rene and AustinWarren. \"Literature and Art.\" Theory of Literature. Third Edition. New York: Harcourt Brace\r\n Jovanovich, 1977.\r\nWinter, Robert and Robert Martin, ed. The Beethoven Quartet Companion. Berkeley : University of California Press, 1994.\r\nUlrich, Homer. Chamber Music. Second Edition. New York: Columbia University Press, 1966.\r\nUnger, Leonard. Eliot`s Compound Ghost: Influence and Confluence. University Park: The Pennsylvania State University\r\n Press, 1981.zh_TW