| dc.contributor.advisor | 簡政珍 | zh_TW |
| dc.contributor.advisor | Chien, Cheng-Chen | en_US |
| dc.contributor.author (Authors) | 趙順良 | zh_TW |
| dc.contributor.author (Authors) | Chao, Shun-Liang | en_US |
| dc.creator (作者) | 趙順良 | zh_TW |
| dc.creator (作者) | Chao, Shun-Liang | en_US |
| dc.date (日期) | 1996 | en_US |
| dc.date.accessioned | 2016-04-28 | - |
| dc.date.available | 2016-04-28 | - |
| dc.date.issued (上傳時間) | 2016-04-28 | - |
| dc.identifier (Other Identifiers) | B2002002353 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/86881 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 英國語文學系 | zh_TW |
| dc.description (描述) | 83551007 | zh_TW |
| dc.description.abstract (摘要) | 本論文嘗試以文藝復興的圖象詩及康明思的視覺詩為例，來闡述視覺詩的美學，並藉此以調正把視覺詩視為不夠嚴肅或「非關美學」的因襲看法。 | zh_TW |
| dc.description.abstract (摘要) | In this thesis I am to proffer an aesthetic knowledge of visual poetry by illustrating Renaissance pattern poems and cummings` visual poems, through which to rectify the conventional view of visual poetry as insignificant or “aesthetically irrelevant.” | en_US |
| dc.description.tableofcontents | Acknowledgment-----iv Chinese Abstract-----vi English Abstract-----viii Introducion What is Visual Poetry?-----1 Chapter One Mimesis: knowledge as Representation-----16 Chapter Two Border Crossings: The Fusion of Poetry and Painting-----53 Chapter Three The Primacy of Visualization: Reading Process of Visual Poetry-----90 Conclusion Visual Poetry as Poetry-----116 Bibliography-----118 | zh_TW |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#B2002002353 | en_US |
| dc.subject (關鍵詞) | 文藝復興 | zh_TW |
| dc.subject (關鍵詞) | 視覺詩 | zh_TW |
| dc.title (題名) | 視覺詩的美學--以文藝復興的圖象詩及康明思的視覺詩為例 | zh_TW |
| dc.title (題名) | The aesthetics of visual poetry - renaissance pattern poems and cummings` visual poems | en_US |
| dc.type (資料類型) | thesis | en_US |
