| dc.contributor.advisor | 張上冠 | zh_TW |
| dc.contributor.advisor | Chang, Shang Kuan | en_US |
| dc.contributor.author (Authors) | 黃涵榆 | zh_TW |
| dc.contributor.author (Authors) | Huang, Han Yu | en_US |
| dc.creator (作者) | 黃涵榆 | zh_TW |
| dc.creator (作者) | Huang, Han Yu | en_US |
| dc.date (日期) | 1994 | en_US |
| dc.date.accessioned | 2016-04-29 | - |
| dc.date.available | 2016-04-29 | - |
| dc.date.issued (上傳時間) | 2016-04-29 | - |
| dc.identifier (Other Identifiers) | B2002003314 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/87753 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 英國語文學系 | zh_TW |
| dc.description (描述) | G81551008 | zh_TW |
| dc.description.abstract (摘要) | 事實證明艾可(Umberto Eco)的小說《玫瑰之名》在學術界和大眾文化兩個領域中都是一項極大的成就。小說不僅提供了感官上的享受，更充滿了深奧的哲思。更由於艾可本人兼具小說家及符號學(semiotics)理論家的雙重身份，使得小說在「詮釋」的議題上呈現出頗具理論深度的省思。 | zh_TW |
| dc.description.abstract (摘要) | Umberto Eco`s <u>The Name of the Rose</u> has been proved a great success in both academies and popular culture. It is a novel full of sensuous wonders and philosophical profundity. Owing to Eco`s unsual status--a popular novelist and a semiotic theorist --<u>The Name of the Rose</u> (re)presents a thoughtful contemplation on the issues of interpretation. | en_US |
| dc.description.tableofcontents | Acknowledgements-----iv Tables of Contents Chinese Abstract-----vii English Abstract-----viii Introduction-----1 Chapter One Power, Discourse, and Knowledge Introduction-----6 All for Power-----9 Words, Words, and Words-----16 Always Politicize?!-----25 Two The labyrinth of Signs: Reading as Coding/Decoding/Extracoding Introduction: A Semiotic Preview-----28 Killing Softly with Signs-----30 Reading (as) the Prison-House of Language-----38 Labyrinth, Openness, and Infinity (?)-----44 Three Intertextuality, Dialogism, and Narrative Introduction-----54 The Whispers among Signs-----55 Turning History Upside Down-----62 Theoretical Reflection-----72 Four The Name of the Author: Eco`s Enunciative position If There Is Something Called Postmodernism-----75 In the Name of the Author-----77 Renaming the Author-----84 Conclusion-----87 Works Cited-----94 | zh_TW |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#B2002003314 | en_US |
| dc.subject (關鍵詞) | 艾可 | zh_TW |
| dc.subject (關鍵詞) | 詮釋 | zh_TW |
| dc.subject (關鍵詞) | 權力 | zh_TW |
| dc.subject (關鍵詞) | 符號 | zh_TW |
| dc.subject (關鍵詞) | 文本互涉 | zh_TW |
| dc.subject (關鍵詞) | 對話論 | zh_TW |
| dc.subject (關鍵詞) | Eco | en_US |
| dc.subject (關鍵詞) | interpretation | en_US |
| dc.subject (關鍵詞) | power | en_US |
| dc.subject (關鍵詞) | sign | en_US |
| dc.subject (關鍵詞) | intertextuality | en_US |
| dc.subject (關鍵詞) | dialogism | en_US |
| dc.title (題名) | 詮釋之競衡：《玫瑰之名》研究 | zh_TW |
| dc.title (題名) | The Politics of Interpretation: A Study of <u>The Name of the Rose</u> | en_US |
| dc.type (資料類型) | thesis | en_US |
