| dc.contributor.advisor | 劉建基 | zh_TW |
| dc.contributor.advisor | Liu, Chien Chi | en_US |
| dc.contributor.author (Authors) | 洪偉庭 | zh_TW |
| dc.contributor.author (Authors) | Hung, Wei Ting | en_US |
| dc.creator (作者) | 洪偉庭 | zh_TW |
| dc.creator (作者) | Hung, Wei Ting | en_US |
| dc.date (日期) | 1994 | en_US |
| dc.date.accessioned | 2016-04-29 | - |
| dc.date.available | 2016-04-29 | - |
| dc.date.issued (上傳時間) | 2016-04-29 | - |
| dc.identifier (Other Identifiers) | B2002003317 | en_US |
| dc.identifier.uri (URI) | http://nccur.lib.nccu.edu.tw/handle/140.119/87756 | - |
| dc.description (描述) | 碩士 | zh_TW |
| dc.description (描述) | 國立政治大學 | zh_TW |
| dc.description (描述) | 英國語文學系 | zh_TW |
| dc.description (描述) | G82551003 | zh_TW |
| dc.description.abstract (摘要) | 自一九六六年付梓以來，聘瓊的短篇小說《番號四十九的拍賣》中超現實的敘述技巧，以及科學、文學領域相互交織、對話的風格，一直是批評家立文探究的重點。批評家對聘瓊技巧的純熟以及風格的艱澀，給予高度的肯定。另外，批評家也推崇其對後現代小說發展的貢獻。本論文分成四章：首章討論女主角伊蒂帕．瑪絲如何成功地顛覆父權建構的被動身分；並且繪建女性自主性及書寫女性歷史。第二章討論本小說如何藉「縫隙」牽引讀者的想像力，並且讓讀者和聘瓊進行一場想像力的競技。第三章指出小說豐富的隱喻語言有助於想像力的馳騁及意義的繪建，閱讀行為即是書寫創作。第四章討論聘瓊的歷史觀：他揭櫫了歷史的虛構性，歷史不再是客觀的真理，而僅是歷史學者主觀意識及權力運作的產物。結論則指出「陰謀」是本小說最重要的主題。另外，「偏執狂」式的閱讀或「顛覆性」的閱讀乃是聘瓊的讀者所需具備的態度。讀者反應理論是本論文遵循的分析方法。本論文主張閱讀行為乃是想像力之旅。於閱讀的旅程中，讀者必須成為「偏執狂」，展現顛覆的精神，才是詮釋的真諦。 | zh_TW |
| dc.description.abstract (摘要) | Since its publication in 1966, Pynchon`s short novel The Crying of Lot 49 has received considerable attention and discussion from critics. They are largely concerned with Pynchon`s narrative technique of surrealism and his style of inter-disciplinarity. Pynchon`s mature technique along with his style of elusiveness is highly celebrated. In addition, Pynchon`s notable contribution to the development of postmodernist fiction is also recognized and respected by critics. | en_US |
| dc.description.tableofcontents | Acknowledgements-----iv Table of Contents Chinese Abstract-----vi English Abstract-----vii Introduction-----1 Chapter One Patriarchy, Subversion, and Femininity Oedipa Maas as a Passive Actor-----11 Oedipa Maas as a Passive Reader-----19 Oedipa Maas as an Active Director, Actor, Writer, and Reader-----30 Two Writerly, Intertextual, and Abysmal Traits Lot 49 Lot 49 as a "Writerly" Fiction-----48 Lot 49 as an Initertextual Fiction-----58 Lot 49 as an Abysmal Fiction-----63 Three Metaphor and Interaction of Imagination-----70 Four Synchronicity, Fabrication, and Fictionality of History Synchronicity and Interconnectedness of History-----102 Conspiratorial Fabrication of History-----112 Fictionality of History-----115 Conclusion-----124 Works Cited-----129 | zh_TW |
| dc.source.uri (資料來源) | http://thesis.lib.nccu.edu.tw/record/#B2002003317 | en_US |
| dc.subject (關鍵詞) | 旅行 | zh_TW |
| dc.subject (關鍵詞) | 閱讀 | zh_TW |
| dc.subject (關鍵詞) | 聘瓊 | zh_TW |
| dc.subject (關鍵詞) | 番號四十九的拍賣 | zh_TW |
| dc.subject (關鍵詞) | Travelling | en_US |
| dc.subject (關鍵詞) | Reading | en_US |
| dc.subject (關鍵詞) | Mapping | en_US |
| dc.subject (關鍵詞) | Crying of Lot 49 | en_US |
| dc.title (題名) | 閱讀與旅「圖」：析論《番號四十九的拍賣》 | zh_TW |
| dc.title (題名) | Reading As Travelling: Mapping of The Crying of Lot 49 | en_US |
| dc.type (資料類型) | thesis | en_US |
