| 2022-12 |
蘭千故宮緣：記「蘭千山館」寄存文物對國立故宮博物院的意義 |
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| 2021-10 |
嘯侶攀蘿帶：溥心畬的猿畫及其仿古 |
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| 2020-07 |
攬勝─近現代實景山水畫 |
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pdf(133) |
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| 2019-12 |
評介：Phyllis Teo, Rewriting Modernism: Three Women Artists in Twentieth- Century China |
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說明頁(240) |
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| 2019-06 |
繡畫大千─謝書賢《繡張大千仕女圖》 |
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| 2019-03 |
與他方相遇─「亞洲探險記」展出書畫作品選介 |
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| 2018-10 |
Stealing Words, Transplanting Images: Stephen Bushell and the Intercultural Articulation of “Chinese Art” in the Early Twentieth Century |
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說明頁(35) |
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| 2018-06 |
書評：Chinese Painting and Its Audiences／Craig Clunas |
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說明頁(50) |
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| 2018-04 |
「典藏新紀元─清末民初的上海畫壇」特展介紹 |
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| 2017-12 |
大風堂收藏的無款佛教故事圖 |
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| 2017-01 |
覺翁書畫─傅狷夫先生家族捐贈文物特展 |
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| 2015-11 |
遺落的少作─郎世寧來華前所作油畫 |
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| 2015-03 |
亂離心事─項聖謨寫生冊 |
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| 2014-05 |
雅債縈身的文徵明形象 |
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| 2014-02 |
Second Only to the Original: Rhetoric and Practice in the Photographic Reproduction of Art in Early Twentieth-Century China |
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說明頁(41) |
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| 2013-09 |
照相複製年代裡的中國美術：《神州國光集》之複製態度與文化表述 |
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pdf(132) |
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| 2004-09 |
王原祁（1642-1715）《擬盧鴻草堂十志圖冊》及其畫道追求 |
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說明頁(186) |
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