| 2002 |
Border crossing: re/presentation, subversion and identity in nadine gordimer`s my Son`s story |
陳麗如、Chen, Li-Ru |
thesis |
pdf(465)pdf(481)pdf(444)pdf(416)pdf(466)pdf(477)pdf(493)pdf(396)pdf(472)pdf(499)pdf(505) |
| 2001 |
Semantic Analysis on the Modal Verb HUI in Mandarin Chinese |
張清秀、Tracy Chang, Ching-Hsiu |
thesis |
說明頁(574) |
| 2001 |
The Manipulation of English Word Meaning by Senior High School Students in Taiwan : Taking Five Most Frequently Used Verbs for Example |
楊心蕙、Yang, Xin-Hui |
thesis |
說明頁(426) |
| 2001 |
An Optimality Theoretic Approach to English Loanwords in Japanese |
鄭智仁、Cheng, Chih-Jen |
thesis |
說明頁(529) |
| 2001 |
On Semantic Relatedness of the Mandarin Polysemous Word Chu |
林素朱、Lin, Su-Chu |
thesis |
說明頁(589) |
| 2001 |
An Analysis of Teacher Talk in Child EFL Classroom |
王瑋鍾、Wang, Wei-Chung |
thesis |
說明頁(348) |
| 2001 |
Automatic Classification of Chinese Unknown Verbs |
曾慧馨、Tseng, Hui-Hsin |
thesis |
說明頁(765) |
| 2001 |
Comprehension and Production of Emotional Vocal Expressions in Autistics |
李俊徹、Li, Jun-Che |
thesis |
說明頁(583) |
| 2001 |
The Change of Cultural Identity in Three Plays by David Henry Hwang |
盛業瑋、Sheng, Yueh-Wei |
thesis |
說明頁(629) |
| 2001 |
Resisting Closure：Sexuality and Carnivalization in Jeanette Winterson`s Sexing the Cherry |
曾嘉文、Tseng, Chia-Wen |
thesis |
說明頁(304) |
| 2001 |
Identity in Diaspora: A Postcolonial Reading of Michelle Cliff’s No Telephone to Heaven |
洪敦信、Hong, Dun-Xin |
thesis |
說明頁(339) |
| 2001 |
The Detective in the Maze of The New York Trilogy |
黃筱茵、Sharon Huang, Hsiao-Yin |
thesis |
說明頁(315) |
| 2001 |
Remembrance of Things Past：Representation and Transgression in Arundhati Roy`s The God of Small Things |
吳素菁、Wu, Su-Ching |
thesis |
說明頁(314) |
| 2000 |
A Study of the Nomadic Narrative and Polyphonic Politics in Stuart Moulthrop`s Hyperfiction Victory Garden |
陳徵蔚、Charles Chen, Zheng-Wei |
thesis |
說明頁(475) |
| 2000 |
Rebellion against Patriarchal Panopticism: Female Sexual Articulation and Subversion in Nancy Friday`s My Secret Garden |
林德宏、Lin, Te-Hung |
thesis |
說明頁(426) |
| 2000 |
The Feminist Utopia in the Postmodern Science Fiction: Marge Piercy`s Woman on the Edge of Time |
王佑文、Wang, Yo-Wen |
thesis |
說明頁(347) |
| 2000 |
Quest for Integration: Space and Psyche in Doris Lessing`s The Four-Gated City |
陳建州、Chen, Chien-Chou |
thesis |
說明頁(292) |
| 2000 |
From Possession to Aspect---Evidence from Hakka Yu Constructions |
陳如慧、Emily Chen, Ju-Huey |
thesis |
說明頁(420) |
| 2000 |
An Exploration of the Developmental Sequence of Chinese Negation by English Speakers in Second Language Acquisition |
吳慧玲、Wu, Hui-Ling |
thesis |
說明頁(381) |
| 2000 |
An Optimality Theoretic Approach to Tone Sandhi in Mandarin, in Taiwanese, and in Mandarin-Taiwanese Code-Mixing |
林蕙珊、Lin, Hui-Shan |
thesis |
說明頁(457) |
| 2000 |
On Sound Symbolism: Its Implications on English Pedagogy |
陳瓊玉、Joan Chen, Chiung-Yu |
thesis |
說明頁(466) |
| 2000 |
Framing in the Novel: A Study on Shen Cong-Wen`s The Border Town |
紀志賢、Jih, Eddie |
thesis |
說明頁(515) |
| 2004 |
The Urban Experience: Modernity, Space, and Mind in Penelope Lively`s City of the Mind |
黃襦慧、Huang, Ju-hui |
thesis |
說明頁(368) |
| 2002 |
\"My brother(s), my africa\": Identity and transgression in Athol Fugard`s blood knot |
張源勤、Chang, Yuan-Chin |
thesis |
說明頁(419) |
| 2002 |
The effect of imparting mirror image phenomenon on the performance of Chinese-English translation of junior high school students in Taiwan |
翁祥景、Weng, Hsiang-Ching |
thesis |
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